
Select a Language |
Close |
AUGUSTUS EDWIN JOHN OM RA (1878-1961)
The Irish Girl; Portrait of Dorrie John, (c. 1929 to 1930 Wales)
|
|
|
|
|
|
|
|
| Item Stock Code |
01319 |
||||||||||
| Item Medium Description |
Oil on canvas |
||||||||||
| Item Signed, Inscribed, Dated Details |
Signed John upper right |
||||||||||
| European Dimensions |
36.00 cm wide 47.00 cm high |
||||||||||
| UK/USA Converted Dimensions |
14.17 inches wide 18.50 inches high |
||||||||||
| Item Provenance & History |
Private collection, Gloucestershire; to 2002 |
||||||||||
| Item Description / Dealer Expertise |
Dorrie was the wife of David John, eldest son of Augustus and Ida. She was always known as the `Irish Girl'. Leaving her family home in Ireland as a teenager, Dorrie dreamt of realising her talents as a violinist and pursuing a career as a musician in London. Instead she devoted herself to motherhood, marrying David John in 1929 who was himself for a time an oboist in several major orchestras. During the marriage she continued to develop her talent as an amateur violinist.
|
||||||||||
| JOHN |
Augustus John was born in Tenby in 1878. He studied at the Slade School in London (1894-99) with his sister Gwen John. After injuring his head after diving into the sea while on holiday his personality changed. He grew a beard, dressed as a Bohemian and drank heavily. His painting became more adventurous and his friend, Wyndham Lewis remarked that John had become a "great man of action into whose hands the fairies had placed a paintbrush instead of a sword".
Considered to be the most talented artist of his generation, in 1898 John won the Slade Prize with Moses and the Brazen Serpent. He developed a nomadic lifestyle and for a while he lived in a caravan and camped with gypsies. Later he moved in with Henry Lamb and Dorelia McNeill at Alderney Manor near Poole. McNeill, who eventually became John's wife, featured in many of his paintings. On the outbreak of the First World War in 1914, John was the best-known artist in Britain. His friendship with Lord Beaverbrook enabled him to obtain a commission in the Canadian Army and was given permission to paint what he liked on the Western Front. He was also allowed to keep his facial hair and therefore became the only officer in the Allied forces, except for King George V, to have a beard. After two months in France he was sent home in disgrace after taking part in a brawl. Lord Beaverbrook, whose intervention saved John from a court-martial, sent him back to France but is only known to have completed one painting, Fraternity. John also attended the Versailles Peace Conference in 1919 where he painted the portraits of several delegates. However, the commissioned group portrait of the main figures at the conference was never finished. By the 1920s John was Britain's leading portrait painter. Those who sat for him included Thomas Hardy, George Bernard Shaw and T.E. Lawrence. However, one critic has claimed that "the painterly brilliance of his early work degenerated into flashiness and bombast, and the second half of his long career added little to his achievement." In later life, John wrote two volumes of autobiography, Chiaroscuro (1952) and Finishing Touches (1964). Augustus John died in 1961. |
||||||||||
| MODERN BRITISH |
Modern British Art (1900-1980) is one of the most exciting and diverse periods of British Art history, giving rise to a number of influential art movements - such as Unit One, The Bloomsbury Group, The Camden Town Group, St.Ives School, The Vorticists, the Kitchen Sink School and Pop Art - and launching the careers of many internationally renowned artists.
|
||||||||||
|
More information / Purchase this item |
Please email or call +44 (0)20-7637 0254 for more information or to purchase this item. |
||||||||||
| Status |
SOLD |
|
|
|