Skip to main content

Maiolica Furniture

108
8
1
to
6
100
14
117
116
116
30
15
8
6
4
2
2
2
58
31
19
9
7
9
1
1
3
2
2
2
1
119
341,671
292,213
202,265
140,847
116
101
6
3
2
14
9
6
5
2
Material: Maiolica
Maiolica Pitcher Antonio Maria Coppellotti Manufacture, Lodi, Circa 1735
By Antonio Maria Coppellotti
Located in Milano, IT
Majolica pitcher Antonio Maria Coppellotti Manufacture Lodi, circa 1735 Majolica decorated in cobalt blue monochrome It measures 7.36 in hight x 8.07 x 4.52 (h 18.7 cm x 20.5 x 11.5...
Category

1730s Italian Baroque Antique Maiolica Furniture

Materials

Maiolica

Small Maiolica Flower Pots, Ferretti Manufacture, Lodi, circa 1770-1780
Located in Milano, IT
Two maiolica flower pots Antonio Ferretti Manufacture Lodi, Circa 1770 - 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire) The...
Category

1770s Italian Rococo Antique Maiolica Furniture

Materials

Maiolica

Italian Maiolica Cup Ferretti Lodi, circa 1770 - 1780
Located in Milano, IT
Maiolica puerperal cup Antonio Ferretti Manufacture Lodi, Circa 1770 - 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures: 4.3 x 6.8 x 5.3 in (11 x 17,5 x 13,5 cm) Weight: 0.78 lb (358 g) State of conservation: some closed pass-through fêlures on the cup, barely visible on the outside. Some use chips on the edge of the lid, two of which are more marked. From about the mid-sixteenth century, the puerperal soup tureen or puerperal cup became one of the most popular wedding gifts in central Italy. As an auspicious symbol, it replaced the birth table (“desco da parto”) which, on the occasion of high-ranking marriages, from the thirteenth century, had been painted by famous artists, especially in Tuscany. In France this same tureen is called "écuelle de mariée", as it is given to spouses as a sign of fertility. During the eighteenth century this custom spread even outside Italy to all social levels. Depending on availability and rank, it was made of different materials: precious metals, maiolica, porcelain, glass, pewter, etc. Beginning in the mid-twentieth century, the custom of this symbolic homage gradually disappeared, although famous designers such as Gio Ponti and Giuseppe Gariboldi, even as recently as the 1940s, revisited a model of a small puerperal soup bowl for the Ginori and, also in Italy in 1940, in a national competition for young potters, one of the themes of the test was indeed a modern model of a puerperal cup as an auspicious gift. This particular cup was also called a "service cup" or "puerperal vase" or "stuffed cup" - the windows were sealed with straw to prevent drafts of air for women in labor. In the eighteenth century the line of the puerpera cup was simplified, so much so that it took the form of a small tureen with two handles - the typical broth cup...
Category

1770s Italian Rococo Antique Maiolica Furniture

Materials

Maiolica

Antique 19th Century Minton Majolica Centerpiece Tazza with Doves & Cherubs 1861
Located in Portland, OR
A good antique Minton Majolica centerpiece/tazza, 1861. The centerpiece with a flanged shaped shallow dish supported with a pair of winged cher...
Category

1860s English Victorian Antique Maiolica Furniture

Materials

Maiolica

Savona - Armorial plate 18th century, Lanterna mark
Located in DELFT, NL
A Savona plate with blue decor. On the front a heraldic coat of arms - divided into two, on the right three mountains and a pontifical cross, on the left a climbing lion- within bord...
Category

18th Century French Chinoiserie Antique Maiolica Furniture

Materials

Earthenware, Faience, Maiolica

Antique European Majolica Fern & Leaf Plate With Greek Key Border- Set of 2
Located in Ross, CA
European majolica plates, painted in vibrant green, decorated with a maple leaf, fern leaves, and flowers The borders are decorated with a Greek key design and small raised dots.
Category

Early 1900s English Japonisme Antique Maiolica Furniture

Materials

Ceramic, Maiolica

1940's Sea Life Italian Maiolica Illuminated Lantern
Located in East Hampton, NY
This truly magical Italian sea life maiolica wall mounted lantern depicts relief of sea creatures and vivid colors. One single bulb provides ample illumination - this can be used as ...
Category

1940s Italian Vintage Maiolica Furniture

Materials

Maiolica

1940's Sea Life Maiolica Illuminated Lantern by C.A.S. Vietri Italy
Located in East Hampton, NY
This truly magical Italian sea life maiolica wall mounted lantern depicts relief of sea creatures and vivid red corals and seaweed. One single bulb provides ample illumination - thi...
Category

1940s Italian Vintage Maiolica Furniture

Materials

Maiolica

Manifattura San Carlo della Real Fabbrica di Caserta - Serving dish 18th century
Located in DELFT, NL
Manifattura San Carlo della Real Fabbrica di Caserta - Serving dish in Moustiers style with scalloped edge decorated in ocher and green monochrome with a medallion in the center of t...
Category

18th Century French Chinoiserie Antique Maiolica Furniture

Materials

Earthenware, Faience, Maiolica

Majolica tray, Lombardy 19th century
Located in Brescia, IT
Majolica tray, Lombardy 19th century Elegant majolica tray with mixtilinear border and floral decorations. Dimensions 36.7 x 28 x 4 cm The work, like any of our other objects, wi...
Category

Early 19th Century Italian Other Antique Maiolica Furniture

Materials

Maiolica

Late 19th Century Italian Antique Majolica Two Decorative Wall Plates
Located in Casale Monferrato, IT
This pair of majolia decorative wall plates is beautiful and refined. Characterized by a rich decoration with bright colours. In the center animated historical scenes of ancient Rome...
Category

1880s Italian Antique Maiolica Furniture

Materials

Maiolica

Ancient Pair Coffee Pots, Pasquale Rubati Manufacture Milan, 1770 circa
Located in Milano, IT
Pair of small coffee pots. Manufacture of Pasquale Rubati Milan, 1770 Circa Maiolica polychrome decorated “a piccolo fuoco” (third fire). a) height 7.87 x 5.51 x 3.93 in (20 x 14 x ...
Category

1760s Italian Neoclassical Antique Maiolica Furniture

Materials

Maiolica

Cobalt blue monochrome painted majolica plate, Battaglia. Italy, 1886
Located in Torino, IT
Commemorative plate in painted majolica in monochrome cobalt blue, depicting a Battle. Signed P. Villa. ORIGIN Savona area PERIOD 1886 AUTHOR Signed on the bottom P.Villa MATERIA...
Category

1880s Italian Antique Maiolica Furniture

Materials

Maiolica

END OF THE 17th CENTURY WHITE AND BLUE MAJOLICA JUG
Located in Firenze, FI
Beautiful blue and white glazed majolica jug, made in Faenza at the end of the 17th century. The jug is decorated with motifs painted in blue that recall the style of archaic majolic...
Category

Late 17th Century Italian Antique Maiolica Furniture

Materials

Maiolica

19th CENTURY BLUE FAMILY MAJOLICA POURER
Located in Firenze, FI
Stunning pourer made of glazed majolica, belonging to the blue family. Its fascinating design stands out for the blue decorations on a white background, which add a touch of elegance...
Category

19th Century Italian Antique Maiolica Furniture

Materials

Enamel

Vaso su piedistallo di Jardiniere U&C Sarreguemines, XIX secolo
Located in Catania, IT
Vaso piedistallo della Jardiniere U&C Sarreguemines, in ottime condizioni. Fine del XIX secolo.
Category

Late 19th Century French Antique Maiolica Furniture

Materials

Ceramic, Maiolica

Renaissance Italian Inkwell Calamelli workshop, Faenza, second half of the 16th
By Virgiliotto Calamelli
Located in Milano, IT
Inkwell Calamelli workshop (attr.). Faenza, second half of the 16th century Height 4.33 in; length 8.07 in; depth 2.95 in (11 cm; 20.5 cm; 7.5 cm) Weight: 0.800 lb (363 g) State of conservation: some chipping to the top of the mask around the mouth. Handle glued, without any restorations; minor chips in some raised areas. This object has the shape of a foot wearing Greek-style footwear, as can be seen in some raised areas. The foot is anatomically modeled with bare toes, while the ankle is partially covered by the footwear. On the heel, there is a small circular handle to support the object. The mouth of the container is shaped like a mask. The interior, completely enameled, suggests that the piece was intended to be used as an inkwell or to contain some other liquid. The base, however, is not enamelled. The painted decoration, scant and brief, consists of rapid cobalt blue shading between the toes of the foot, with more precise emphasis on the nails. It is accompanied by yellow citrine accents to enhance the forms. The mask is painted with the tip of the brush, to accentuate the tense nature of the eyes and to accentuate their outline. Thin strokes of yellow-orange line the interior of the mouth. Since the Renaissance, this decoration has been referred to as "compendiaria" and it characterizes the period of production extending from the mid-16th century to approximately the middle of the following century. It significantly influenced tastes at the time. It evolved from the polychrome style "istoriato" and transformed into a new style that "summarized" (compendia), or condensed, the ornamentation of the works into a few colors, placing greater prominence on the shapes. It was often inspired by metal specimens. Since the Renaissance, this decoration has been referred to as "compendiaria" and it characterizes the period of production extending from the mid-16th century to approximately the middle of the following century. It significantly influenced tastes at the time. It evolved from the polychrome style "istoriato" and transformed into a new style that "summarized" (compendia), or condensed, the ornamentation of the works into a few colors, placing greater prominence on the shapes. It was often inspired by metal specimens. This artwork finds parallels in similar objects all characterized by this refined style and produced in the city of Faenza and other Italian centers starting from the mid-16th century. The closest comparable example in majolica is a foot acquired by the British Museum in 2011 (inv. 2011, 8008.1). This was previously published by Carmen Ravanelli Guidotti in 1996 and later by Dora Thornton in 2016 during the conference on Renaissance ceramics...
Category

16th Century Italian Renaissance Antique Maiolica Furniture

Materials

Maiolica

Late 19th Century South Italian Antique Majolica Two Shelves with Vase
Located in Casale Monferrato, IT
This pair of majolia shelves with vase is beautiful and refined. Characterized by a rich decoration and bright colors of baroque taste typical of Sicilian production in southern Ital...
Category

1880s Italian Antique Maiolica Furniture

Materials

Maiolica

The Colleoni Chapel - Model made of wood, paper, tablet and various materials.
Located in Brescia, IT
The Colleoni Chapel - Model in wood, paper, tablet and various materials, Bergamo, 1873 -1875 The work has as its subject the Colleoni Chapel in Bergamo, commissioned by condottiere...
Category

1870s Italian Antique Maiolica Furniture

Materials

Metal

Vaso della serie Pleiadi di Marta Servadei per Bottega Gatti
Located in Torino, IT
Vaso della serie Pleiadi di Marta Servadei. Realizzato in argilla liquida fusa sottoposta a tre fai di cottura. Decorato da scintillanti strisce sottili di maiolica smaltata di bia...
Category

2010s Italian Maiolica Furniture

Materials

Platinum

Teruel (Aragon) - Spanish Maiolica Mortar, 17th century
Located in DELFT, NL
Ceramic mortar produced at the Teruel pottery workshops in the 17th century. It has a truncated cone shape with three handles and a pourer. It is tin-...
Category

17th Century Spanish Baroque Antique Maiolica Furniture

Materials

Maiolica

ALDO CASTELLI - VENEZIA - Anno 1920 Maiolica cotta a gran fuoco e dipinta a mano
Located in Milano, IT
Una rara maiolica dipinta a mano e cotta a gran fuoco , realizzata nella fornace SPADA, negli anni 20, dal gran artista ALDO CASTELLI, che insieme ad un altro gran artista del ferr...
Category

1920s Italian Art Nouveau Vintage Maiolica Furniture

Materials

Maiolica

18th CENTURY FAENZA PHARMACY ALBARELLO
Located in Firenze, FI
Pharmacy maiolica albarello, with a particular spool shape. The predominant glaze of the ceramic is white, on which there are decorations in blue and yellow. These decorations mainly...
Category

18th Century Italian Antique Maiolica Furniture

Materials

Maiolica

Stunning Italian Maiolica Ceramic and Brass Ceiling Lamp with four glass shades
Located in Mexico, DF
Beautiful long ceiling lamp in brass with two magnificent pieces of Italian maiolica ceramics in gold, cream, and green hues. One ceramic piece is pa...
Category

Early 20th Century Italian Neoclassical Revival Maiolica Furniture

Materials

Brass

19th Century Italian Majolica Centrepiece Urn with Mythological Scenes
Located in Toronto, CA
A fabulous figural boat shaped centrepiece/urn raised on a double dolphin base, with different painted mythological scenes throughout. The front and back of this urn are painted with...
Category

1870s Italian Renaissance Antique Maiolica Furniture

Materials

Ceramic, Maiolica, Majolica

Ancient Maiolica Tiles, Rampini Manufactory, Pavia, 1693-1704
Located in Milano, IT
Six maiolica “ambrogette” (tiles) Rampini manufactory, painter probably Siro Antonio Africa Pavia, 1693-1704 a) 6.88 x 5.51 in (17.5 x 14 cm); 0.55 lb (252 g) b) 7.08 x 5.70 in (18 x 14.5 cm); 0.51 lb (233 g) c) 6.88 x 5.70 in (17.5 x 14.5 cm); 0.54 lb (245 g) d) 6.81 x 5.51 in (17.3 x 14 cm); 0.50 lb (230 g) e) 6.88 x 5.51 in (17.5 x 14 cm); 0.50 lb (229 g) f) 7.08 x 5.70 in (18 x 14.5 cm); 0.51 lb (233 g) State of conservation: intact. These six ”maiolica fina” small “ambrogette” belong to a family of ceramic works considered among the finest produced between the 17th and 18th centuries. For a long time, this type of maiolica was attributed to the Venetian village of Angarano, but later it was definitively attributed to the pottery factories in Pavia. A fundamental study ascribed this production specifically to Pavia through an analysis of Lombard collections and a comparison with archaeological remains found near the two main manufacturing sites in the city. (E. Pelizzoni - M. Forni - S. Nepoti, La maiolica di Pavia tra Seicento e Settecento, Milano 1997). The six small oval tiles have rounded edges and are decorated with a historiated motif. They were created using high-fired polychrome technique, with a predominance of cool tones and a dominance of gray and blue, interspersed with manganese, citrine yellow, orange-yellow, and green. The six small “ambrogette” are characterized by the same stylistic features, with a similar decorative design. The first tile (a) depicts a female figure, holding a stiletto and sitting near a pedestal supporting a relief-decorated baluster vase. Behind her, a child is holding a chalice, while through the arches of a portico, a glimpse of a mountainous landscape can be seen in the background. The female figure could possibly be Lucretia, an example of virtue in ancient Roman culture. In the second “ambrogetta” b), the Biblical episode of Judith and Holofernes is depicted through canonical iconography: the decapitated body of Holofernes lies on the bed in the background, while the protagonist, Judith, is seen placing his head into a sack held by a maidservant. Through an archway a shining slice of the moon gives the perception of nighttime. Surprisingly, within the narrative, there is the presence of a basin in the shape of a large shell, closely resembling the products of Pavia's factories. The third small plaque (c) depicts a female figure standing on a plinth and framed by an architectural arch with a vast mountainous landscape in the background. The woman, with her breasts exposed, is accompanied by two children: one approaching her as if wanting to be picked up, and the other seated with an apple in his hand. The protagonist lends herself to different interpretations: perhaps she represents Rea Silvia with the two twin founders of Rome, or perhaps she is an allegory for the Pietà, a common theme depicted on maiolica. In the fourth tile (d), three characters are depicted near a column. The main figure is an old man with a sad expression, holding a cup, while a woman, wearing a turban on her head, also holds a cup in her right hand and a pitcher in her left. A second woman with her hair bound holds another pitcher behind the old man: at his feet a traveller's bag can be seen, along with some apples and a slice of cheese on a rectangular base. It is likely the sad Biblical episode of Lot and his daughters...
Category

Early 1700s Italian Baroque Antique Maiolica Furniture

Materials

Maiolica

19th Century Pair Italian White Porcelain Baroque Mirrors with Flowers
Located in Brescia, IT
Beautiful and fine pair of white Maiolica mirrors with elegant multi-color flowers drawings, in Baroque Style, handmade in Bassano by the well known Manufacturer Antonibon, coming fr...
Category

Early 19th Century Italian Baroque Antique Maiolica Furniture

Materials

Iron

Seta Nera
Located in Firenze, IT
Set di due lampade da tavolo con base in ceramica bianca. Il vaso ovale formato a colaggio è dipinto a mano con decori a foglia in smalto nero e oro 24k a 3° fuoco. Il paralume in se...
Category

21st Century and Contemporary Italian Maiolica Furniture

Materials

Gold Plate

MareLuna Azul
Located in Firenze, IT
Hand-formed spherical lamp made of blue majolica with glazed terracotta chip applications. Interior fully decorated in 24k gold in 3rd fire.
Category

21st Century and Contemporary Italian Maiolica Furniture

Materials

Gold Plate

Italian Maiolica Pitcher with a Rampant Lion, Center Italy , Ca 1850
Located in CH
Italian Maiolica Pitcher with a Rampant Lion, Central Italy , Ca 1850 This unmarked Maiolica Pitcher with a cream white background is decorated on the front with a cobalt blue rampa...
Category

Mid-19th Century Italian Renaissance Revival Antique Maiolica Furniture

Materials

Maiolica

Ancient Maiolica Tureen Ferretti Manufacture, Lodi, Circa 1770 - 1780
Located in Milano, IT
Maiolica tureen Antonio Ferretti Manufacture Lodi, Circa 1770 - 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 9.06 in in height x 13.39 in x 9.84 i...
Category

1770s Italian Rococo Antique Maiolica Furniture

Materials

Maiolica

Italian Cantagalli Maiolica Large Plate with family noble emblem, Late 19th C.
Located in CH
Italian Cantagalli Maiolica Large Plate with family noble emblem, Late 19th Century During the 19th century Renaissance-Revival period the Cantagalli Maiolica and ceramic factory near Florence produced authentic copies of Renaissance Maiolica using traditional methods of tin glazing earthenware. This large Maiolica plate from the late 1800s is marked on the back with the symbol of the Rooster, which indicates that it was created by the Cantagalli ceramics factory. The plate is decorated in the center with the noble emblem of the house of Frederick Stibbert, a well-known late 19th century English/Italian collector of ancient weapons...
Category

Late 19th Century Italian Renaissance Revival Antique Maiolica Furniture

Materials

Maiolica, Ceramic

Exotic Bird Parrot Garden Figure Majolica Handcrafted and Hand Painted
Located in München, DE
This handcrafted majolica figure is perfect for your interior or garden. The material is frost resistant and does not fade in sunlight. The tropical flair makes it a perfect complime...
Category

20th Century German International Style Maiolica Furniture

Materials

Maiolica

19th Century Liberty Gibus & Redon Polychrome Vase
Located in Firenze, FI
Characteristic four-handled polychrome majolica vase born from the artistic collaboration of Gibus and M. Redon. The object represents a fusion of Neo-Renaissance and Art Nouveau fea...
Category

1890s French Art Nouveau Antique Maiolica Furniture

Materials

Maiolica

Maiolica Bottle Cooler Joseph Hannong, Strasbourg France, circa 1771
Located in Milano, IT
Bottle cooler Manufacture Joseph Hannong Strasbourg, France, circa 1771 Maiolica polychrome decorated “a piccolo fuoco” (third fire) It measures 7.40 in in height x 9.64 in diam...
Category

1770s French Rococo Antique Maiolica Furniture

Materials

Maiolica

16th Century Italian Maiolica Faience Dish with a Young Man Portrait
Located in Milan, IT
Mid-16th Century Italian Maiolica Dish hand-painted in blue and ocher yellow color with a profile young man portrait in the center. The maiolica col...
Category

16th Century Italian Renaissance Antique Maiolica Furniture

Materials

Maiolica

Italian Blue and White Albarello, Late 1800s
Located in Roma, IT
A beautiful blue and white Maiolica patterned Italian Albarello, late 1800s early 1900s. Found in Palazzo Torlogna in Rome. Albarelli were ancient st...
Category

Early 19th Century Italian Greco Roman Antique Maiolica Furniture

Materials

Maiolica, Ceramic

Turquoise Maiolica Italian Albarello Late, 1800s
Located in Roma, IT
This beautiful turquoise maiolica patterned Italian albarello (late 1800s early 1900s) was found in Palazzo Torlogna in Rome. Albarelli were ancient storag...
Category

Early 19th Century Italian Greco Roman Antique Maiolica Furniture

Materials

Maiolica, Ceramic

18th Century Italian Berrettino Majolica Faience Riser
Located in Milan, IT
An Italian maiolica berrettino-ground riser from 18th century, central Italy, probably Faenza origin. In the central part of the riser a ruined tower is painted within a mountain lan...
Category

Mid-18th Century Italian Rococo Antique Maiolica Furniture

Materials

Maiolica

Ancient Italian Maiolica Tureen, Rubati Manufacture, Milan, circa 1770-1780
Located in Milano, IT
Maiolica tureen Pasquale Rubati Manufacture Milan, circa 1770 - 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 6.69 in x 11,02 x 8.26 (17 x 28 x ...
Category

1770s Italian Rococo Antique Maiolica Furniture

Materials

Maiolica

Antique French Faience Lidded Bowl Tureen Hand Painted with Flowers and Insects
Located in Firenze, IT
A French 18th century large polychrome Faience lidded soup toureen or entree dish with scallop-shaped edges attributable to Rouen manufacture. This lovely...
Category

18th Century French Rococo Antique Maiolica Furniture

Materials

Faience, Maiolica, Porcelain, Pottery

Large Antique Italian 18th Century Maiolica Faience Istoriato Plate Urbino 1790
By Urbino Workshop
Located in Portland, OR
A large & fine antique Italian maiolica Istoriato charger, Urbino, circa 1800. This very handsome charger is hand-painted with Neoclassical nu...
Category

Late 18th Century Italian Baroque Antique Maiolica Furniture

Materials

Maiolica

Ancient Sicilian Majolicato Panel "Magnagrecia" End 19th Century
Located in Madrid, ES
Ancient Sicilian Majolicato panel "Magnagrecia" end 19th century. Panel consisting of 15 x 15 cm tiles - 49 tiles. Classic-inspired panel: MAGNA-GREECE THICKNESS 1.2 cm WEIGH...
Category

Late 19th Century Italian Baroque Antique Maiolica Furniture

Materials

Maiolica

Ancient Italian Coffee Pot, Coppellotti Manufacture, Lodi, Circa 1740
By Antonio Maria Coppellotti
Located in Milano, IT
Coffee pot Antonio Maria Coppellotti Manufacture Lodi, Circa 1740 High fire polychrome maiolica It measures: 7.87 in x 6,49 x 5.11 (20 cm x 16,5 x 13); weight 1.23 lb (561 g) ...
Category

1730s Italian Rococo Antique Maiolica Furniture

Materials

Maiolica

Pair of Abruzzo Maiolica Albarelli, 17th Century
Located in London, GB
17th Century pair of Abruzzo Maiolica Albarelli Waisted cylindrical form decorated with classical figures. White tin glaze with blue decoration. Dimensions: 29 x 12 cm.
Category

17th Century Italian Antique Maiolica Furniture

Materials

Maiolica

Lorenzo Rubboli Two Handled Lustre Bowl
Located in East Geelong, VIC
This two handled, footed bowl with a lustre glaze is by Lorenzo Rubboli of Gualdo Tadino in Umbria, Italy. The centre of the bowl is decorated with a stylised flower which is contain...
Category

1930s European Renaissance Revival Vintage Maiolica Furniture

Materials

Maiolica

18th Century Italian Yellow Maiolica Pottery Albarello Drug Jar
Located in Bradenton, FL
An impressive 18th century polychrome decorated drug jar or 'Albarello'. The Albarello is of a typical waisted shape, and is decorated profusely in polychrome. The body of the jar is...
Category

18th Century Italian Baroque Antique Maiolica Furniture

Materials

Maiolica, Pottery

Sicilian Majolica Panel End 19th Century
Located in Madrid, ES
SICILIAN MAJOLICA PANEL end 19th Century Panel made up of 20 tiles of approx.20x20 cm. Classic-inspired panel: "Wild boar hunting in Magna Graecia". ...
Category

Late 19th Century Italian Baroque Antique Maiolica Furniture

Materials

Maiolica

Apollineo Arena Centerpiece in Leccese Stone and Hand-Painted Maiolica
Located in Florence, IT
The Apollineo collection mergs classical and contemporary elements to define a unique aesthetic inspired by Mediterranean architecture and vibes. Sun-blessed pure volumes, shapes mar...
Category

2010s Italian Modern Maiolica Furniture

Materials

Stone, Limestone

Ceramic Pourer, Design Ambrogio Pozzi for Ceramica Franco Pozzi, Italy, 1970s
Located in Torino, IT
Ceramic pourer, design Ambrogio POZZI for Ceramica Franco Pozzi. EUROPOZZI series. Gallarate Italy, 1970s ORIGIN Gallarate, Italy PERIOD 70's DESIGNER Ambrogio POZZI...
Category

1970s Italian Vintage Maiolica Furniture

Materials

Ceramic, Maiolica

Italian Maiolica Painted Planter Pot
Located in Southampton, NY
Italian Maiolica painted planter pot. This is a beautifully hand-painted short stamnos-shaped Maiolica pot. Maiolica is tin-glazed pottery from Ita...
Category

20th Century Maiolica Furniture

Materials

Ceramic, Maiolica

Pair of Italian Maiolica Vases, Coiled Snake Handles, Ca. 1880
Located in Banner Elk, NC
Pair of Italian Maiolica Vases, of baluster form, with polychrome Renassance style decptions, on pedestal bases, with large molded and applied snakes forming the handles, the reverse...
Category

Late 19th Century Italian Renaissance Revival Antique Maiolica Furniture

Materials

Maiolica

Italian Renaissance Plate, Patanazzi Workshop Urbino, End of 16th Century
Located in Milano, IT
Acquareccia plate Patanazzi workshop Urbino, last quarter of the 16th century It measures diameter 17.12 in; foot diameter 11.53 in; height 1.88 in (43.5 cm; 29.3 cm; 4.8 cm). Weight State of conservation: wear and a few small minimal detachments of enamel, chipping on the raised areas, peeling of enamel at the brim on the back. This large, shallow basin is equipped with a wide and convex well. It is umbonate with a contoured center. The brim, short and flat, is enclosed in a double rounded and barely raised edge. The basin has a flat base without rims; it has a slightly concave center in correspondence to the well. The shape takes inspiration from the basins associated with the metal forged amphora pourers that traditionally adorned the credenza. These were used from the Middle Ages to wash hands during banquets. Two or three people washed their hands in the same basin and it was considered an honor to wash one’s hands with an illustrious person. The decoration is arranged in concentric bands with, in the center of the umbo, an unidentified shield on a blue background: an oval banded in gold with a blue head, a gold star and a field with a burning pitcher. Rings of faux pods separate the center from a series of grotesque motifs of small birds and masks. These go around the basin and are, in fact, faithfully repeated on the brim. The main decoration develops inside the flounce of the basin, which sees alternating symmetrical figures of winged harpies and chimeras. The ornamentation, outlined in orange, green and blue, stands out against the white enamel background. This decorative style, defined since the Renaissance as “grottesche” or “raffaellesche”, refers to the decorations introduced after the discovery of the paintings of the Domus Aurea towards the end of the fifteenth century. The discovery of Nero's palace, buried inside Colle Oppio by damnatio memoriae, occurred by chance when a young Roman, in 1480, fell into a large crack which had opened in the ground on the hill, thus finding himself in a cave with walls covered with painted figures. The great artists present in the papal city, including Pinturicchio, Ghirlandaio, Raffaello, immediately visited these caves. The decorations found there soon became a decorative subject of immense success: the term grotesque , with the meaning of “unusual,” “caricatured,” or “monstrous,” was later commented by Vasari in 1550 as “una spezie di pittura licenziose e ridicole molto”( “a very licentious and ridiculous kind of painting”). The decorations “a grottesche” also widely circulated in ceramic factories, through the use of engravings, variously interpreted according to the creativity of the artists or the requests of the client. Our basin is reflected in similar artifacts produced at the end of the sixteenth century by the factories of the Urbino district. See the series of basins preserved in the main French museums, among which the closest in morphology is that of the Campana collection of the Louvre (Inv. OA1496); this however has a more complex figure decoration, while the decoration of our specimen is sober and with a watercolor style. The style, sure in its execution, approaches decorative results still close to the works produced around the middle of the sixteenth century by the Fontana workshop. The decoration is closely linked to their taste, which later finds its natural outlet, through the work of Antonio, also in the Patanazzi workshop. Studies show the contiguity between the two workshops due to the kinship and collaboration between the masters Orazio Fontana and Antonio Patanazzi, both trained in the workshop of Guido Fontana il Durantino. It is therefore almost natural that their works, often created according to similar typologies and under the aegis of the same commissions, are not always easily distinguishable, so much so that the presence of historiated or “grottesche” works by Orazio is documented and preserved in Antonio Patanazzi's workshop. Given that the studies have always emphasized the collaboration between several hands in the context of the shops, it is known that the most ancient “grottesche” works thus far known, can be dated from 1560, when the Fontana shop created the so-called Servizio Spagnolo (Spanish Service) and how, from that moment on, this ornamentation became one of the most requested by high-ranking clients. We remember the works created for the Granduchi di Toscana, when Flaminio Fontana along with his uncle Orazio supplied ceramics to Florence, and, later, other commissions of considerable importance: those for the service of the Duchi d’Este or for the Messina Farmacia of Roccavaldina, associated with the Patanazzi workshop when, now after 1580, Antonio Patanazzi began to sign his own work. Thus, in our basin, the presence of masks hanging from garlands, a theme of more ancient memory, is associated in the work with more advanced stylistic motifs, such as the hatching of the chimeras and harpies. These are found here on the front with the wings painted in two ornate ways. In addition, the theme of the birds on the edge completes the decoration along the thin brim and can be seen as representing an early style typical of the Urbino district during a period of activity and collaboration between the two workshops. Later, a more “doll-like” decorative choice, typical of the end of the century and the beginning of the seventeenth century, characterized the period of the Patanazzi workshop under the direction of Francesco. Bibliography: Philippe Morel, Il funzionamento simbolico e la critica delle grottesche nella seconda metà del Cinquecento, in: Marcello Fagiolo, (a cura di), Roma e...
Category

16th Century Italian Renaissance Antique Maiolica Furniture

Materials

Maiolica

Italian Maiolica Crespina a Compendiario Style, Center Italy, Late 17th Century
Located in CH
Italian Maiolica Crespina a Compendiario style, Central Italy, Late 17th century This Crispina has a convex shape on the front and a concave shape on the back, resting on a small ...
Category

Late 17th Century Italian Baroque Antique Maiolica Furniture

Materials

Maiolica

Sicilian Majolica Panel End 19th Century
Located in Madrid, ES
SICILIAN MAJOLICA PANEL end 19th Century Panel made with 36 tiles measuring 17x17 cm. Panel of classic Sicilian Baroque inspiration. HEIGHT 102...
Category

Late 19th Century Italian Baroque Antique Maiolica Furniture

Materials

Maiolica

Panel of Majolica Tiles with Goat and Putti End 19th Century
Located in Madrid, ES
PANEL OF MAJOLICA TILES WITH GOAT AND PUTTI end 19th Century Panel of 36 hand-painted 15x15 cm tiles with cherubs riding a goat. Typical rural scene, the theme of children playing...
Category

Late 19th Century Italian Baroque Antique Maiolica Furniture

Materials

Maiolica

Antique 19th Century Italian Maiolica Pot of the Renaissance Style
Located in Dallas, TX
Vivid colors, hand-painted in the Renaissance style, enhance this large maiolica pot from the 1800’s. Maiolica is tin-glazed pottery from Italy that has been decorated over a white background. This pot is considered an istoriato, which is to say that the pot has been decorated with figures, rather than strictly geometric patterns or floral designs. The maiolica does incorporate floral and foliate motifs, with white flowers that have yellow centers surrounded by blue rings. There are also yellow flowers that are depicted in various stages of nyctinasty (the closing of flowers during the night). The flora is all connected by a series of green and yellow curled leaves. Behind the vegetation is a dark blue background. There are two portraits inside large yellow cartouches that are painted in the middle of the pot. The first is a bearded man, dressed in a light brown tunic...
Category

19th Century Italian Renaissance Antique Maiolica Furniture

Materials

Maiolica

SICILIAN MAJOLICA RING end 19th Century
Located in Madrid, ES
SICILIAN MAJOLICA RING end 19th Century Panel made with 30 tiles of approximately 17x17 cm. Classic "baroque" inspired panel. HEIGHT 102 cm WIDTH 85...
Category

Late 19th Century Italian Baroque Antique Maiolica Furniture

Materials

Maiolica

Recently Viewed

View All