Maiolica Furniture
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Material: Maiolica
Maiolica Pitcher Antonio Maria Coppellotti Manufacture, Lodi, Circa 1735
By Antonio Maria Coppellotti
Located in Milano, IT
Majolica pitcher
Antonio Maria Coppellotti Manufacture
Lodi, circa 1735
Majolica decorated in cobalt blue monochrome
It measures 7.36 in hight x 8.07 x 4.52 (h 18.7 cm x 20.5 x 11.5...
Category
1730s Italian Baroque Antique Maiolica Furniture
Materials
Maiolica
Small Maiolica Flower Pots, Ferretti Manufacture, Lodi, circa 1770-1780
Located in Milano, IT
Two maiolica flower pots
Antonio Ferretti Manufacture
Lodi, Circa 1770 - 1780
Maiolica polychrome decorated “a piccolo fuoco” (third fire)
The...
Category
1770s Italian Rococo Antique Maiolica Furniture
Materials
Maiolica
Italian Maiolica Cup Ferretti Lodi, circa 1770 - 1780
Located in Milano, IT
Maiolica puerperal cup
Antonio Ferretti Manufacture
Lodi, Circa 1770 - 1780
Maiolica polychrome decorated “a piccolo fuoco” (third fire).
It measures: 4.3 x 6.8 x 5.3 in (11 x 17,5 x 13,5 cm)
Weight: 0.78 lb (358 g)
State of conservation: some closed pass-through fêlures on the cup, barely visible on the outside. Some use chips on the edge of the lid, two of which are more marked.
From about the mid-sixteenth century, the puerperal soup tureen or puerperal cup became one of the most popular wedding gifts in central Italy. As an auspicious symbol, it replaced the birth table (“desco da parto”) which, on the occasion of high-ranking marriages, from the thirteenth century, had been painted by famous artists, especially in Tuscany.
In France this same tureen is called "écuelle de mariée", as it is given to spouses as a sign of fertility.
During the eighteenth century this custom spread even outside Italy to all social levels. Depending on availability and rank, it was made of different materials: precious metals, maiolica, porcelain, glass, pewter, etc.
Beginning in the mid-twentieth century, the custom of this symbolic homage gradually disappeared, although famous designers such as Gio Ponti and Giuseppe Gariboldi, even as recently as the 1940s, revisited a model of a small puerperal soup bowl for the Ginori and, also in Italy in 1940, in a national competition for young potters, one of the themes of the test was indeed a modern model of a puerperal cup as an auspicious gift.
This particular cup was also called a "service cup" or "puerperal vase" or "stuffed cup" - the windows were sealed with straw to prevent drafts of air for women in labor.
In the eighteenth century the line of the puerpera cup was simplified, so much so that it took the form of a small tureen with two handles - the typical broth cup...
Category
1770s Italian Rococo Antique Maiolica Furniture
Materials
Maiolica
Antique 19th Century Minton Majolica Centerpiece Tazza with Doves & Cherubs 1861
By Minton
Located in Portland, OR
A good antique Minton Majolica centerpiece/tazza, 1861.
The centerpiece with a flanged shaped shallow dish supported with a pair of winged cher...
Category
1860s English Victorian Antique Maiolica Furniture
Materials
Maiolica
Savona - Armorial plate 18th century, Lanterna mark
By Moustiers
Located in DELFT, NL
A Savona plate with blue decor. On the front a heraldic coat of arms - divided into two, on the right three mountains and a pontifical cross, on the left a climbing lion- within bord...
Category
18th Century French Chinoiserie Antique Maiolica Furniture
Materials
Earthenware, Faience, Maiolica
Antique European Majolica Fern & Leaf Plate With Greek Key Border- Set of 2
Located in Ross, CA
European majolica plates, painted in vibrant green, decorated with a maple leaf, fern leaves, and flowers The borders are decorated with a Greek key design and small raised dots.
Category
Early 1900s English Japonisme Antique Maiolica Furniture
Materials
Ceramic, Maiolica
1940's Sea Life Italian Maiolica Illuminated Lantern
Located in East Hampton, NY
This truly magical Italian sea life maiolica wall mounted lantern depicts relief of sea creatures and vivid colors. One single bulb provides ample illumination - this can be used as ...
Category
1940s Italian Vintage Maiolica Furniture
Materials
Maiolica
1940's Sea Life Maiolica Illuminated Lantern by C.A.S. Vietri Italy
Located in East Hampton, NY
This truly magical Italian sea life maiolica wall mounted lantern depicts relief of sea creatures and vivid red corals and seaweed. One single bulb provides ample illumination - thi...
Category
1940s Italian Vintage Maiolica Furniture
Materials
Maiolica
Manifattura San Carlo della Real Fabbrica di Caserta - Serving dish 18th century
By Moustiers
Located in DELFT, NL
Manifattura San Carlo della Real Fabbrica di Caserta - Serving dish in Moustiers style with scalloped edge decorated in ocher and green monochrome with a medallion in the center of t...
Category
18th Century French Chinoiserie Antique Maiolica Furniture
Materials
Earthenware, Faience, Maiolica
Majolica tray, Lombardy 19th century
Located in Brescia, IT
Majolica tray, Lombardy 19th century
Elegant majolica tray with mixtilinear border and floral decorations.
Dimensions 36.7 x 28 x 4 cm
The work, like any of our other objects, wi...
Category
Early 19th Century Italian Other Antique Maiolica Furniture
Materials
Maiolica
Late 19th Century Italian Antique Majolica Two Decorative Wall Plates
Located in Casale Monferrato, IT
This pair of majolia decorative wall plates is beautiful and refined. Characterized by a rich decoration with bright colours. In the center animated historical scenes of ancient Rome...
Category
1880s Italian Antique Maiolica Furniture
Materials
Maiolica
Ancient Pair Coffee Pots, Pasquale Rubati Manufacture Milan, 1770 circa
Located in Milano, IT
Pair of small coffee pots.
Manufacture of Pasquale Rubati
Milan, 1770 Circa
Maiolica polychrome decorated “a piccolo fuoco” (third fire).
a) height 7.87 x 5.51 x 3.93 in (20 x 14 x ...
Category
1760s Italian Neoclassical Antique Maiolica Furniture
Materials
Maiolica
Cobalt blue monochrome painted majolica plate, Battaglia. Italy, 1886
Located in Torino, IT
Commemorative plate
in painted majolica
in monochrome
cobalt blue,
depicting a Battle.
Signed P. Villa.
ORIGIN
Savona area
PERIOD
1886
AUTHOR
Signed on the bottom P.Villa
MATERIA...
Category
1880s Italian Antique Maiolica Furniture
Materials
Maiolica
END OF THE 17th CENTURY WHITE AND BLUE MAJOLICA JUG
Located in Firenze, FI
Beautiful blue and white glazed majolica jug, made in Faenza at the end of the 17th century. The jug is decorated with motifs painted in blue that recall the style of archaic majolic...
Category
Late 17th Century Italian Antique Maiolica Furniture
Materials
Maiolica
19th CENTURY BLUE FAMILY MAJOLICA POURER
Located in Firenze, FI
Stunning pourer made of glazed majolica, belonging to the blue family. Its fascinating design stands out for the blue decorations on a white background, which add a touch of elegance...
Category
19th Century Italian Antique Maiolica Furniture
Materials
Enamel
Vaso su piedistallo di Jardiniere U&C Sarreguemines, XIX secolo
Located in Catania, IT
Vaso piedistallo della Jardiniere U&C Sarreguemines, in ottime condizioni. Fine del XIX secolo.
Category
Late 19th Century French Antique Maiolica Furniture
Materials
Ceramic, Maiolica
Renaissance Italian Inkwell Calamelli workshop, Faenza, second half of the 16th
By Virgiliotto Calamelli
Located in Milano, IT
Inkwell
Calamelli workshop (attr.).
Faenza, second half of the 16th century
Height 4.33 in; length 8.07 in; depth 2.95 in (11 cm; 20.5 cm; 7.5 cm)
Weight: 0.800 lb (363 g)
State of conservation: some chipping to the top of the mask around the mouth. Handle glued, without any restorations; minor chips in some raised areas.
This object has the shape of a foot wearing Greek-style footwear, as can be seen in some raised areas. The foot is anatomically modeled with bare toes, while the ankle is partially covered by the footwear. On the heel, there is a small circular handle to support the object. The mouth of the container is shaped like a mask. The interior, completely enameled, suggests that the piece was intended to be used as an inkwell or to contain some other liquid. The base, however, is not enamelled.
The painted decoration, scant and brief, consists of rapid cobalt blue shading between the toes of the foot, with more precise emphasis on the nails. It is accompanied by yellow citrine accents to enhance the forms. The mask is painted with the tip of the brush, to accentuate the tense nature of the eyes and to accentuate their outline. Thin strokes of yellow-orange line the interior of the mouth.
Since the Renaissance, this decoration has been referred to as "compendiaria" and it characterizes the period of production extending from the mid-16th century to approximately the middle of the following century. It significantly influenced tastes at the time. It evolved from the polychrome style "istoriato" and transformed into a new style that "summarized" (compendia), or condensed, the ornamentation of the works into a few colors, placing greater prominence on the shapes. It was often inspired by metal specimens. Since the Renaissance, this decoration has been referred to as "compendiaria" and it characterizes the period of production extending from the mid-16th century to approximately the middle of the following century. It significantly influenced tastes at the time. It evolved from the polychrome style "istoriato" and transformed into a new style that "summarized" (compendia), or condensed, the ornamentation of the works into a few colors, placing greater prominence on the shapes. It was often inspired by metal specimens.
This artwork finds parallels in similar objects all characterized by this refined style and produced in the city of Faenza and other Italian centers starting from the mid-16th century.
The closest comparable example in majolica is a foot acquired by the British Museum in 2011 (inv. 2011, 8008.1). This was previously published by Carmen Ravanelli Guidotti in 1996 and later by Dora Thornton in 2016 during the conference on Renaissance ceramics...
Category
16th Century Italian Renaissance Antique Maiolica Furniture
Materials
Maiolica
Late 19th Century South Italian Antique Majolica Two Shelves with Vase
Located in Casale Monferrato, IT
This pair of majolia shelves with vase is beautiful and refined. Characterized by a rich decoration and bright colors of baroque taste typical of Sicilian production in southern Ital...
Category
1880s Italian Antique Maiolica Furniture
Materials
Maiolica
The Colleoni Chapel - Model made of wood, paper, tablet and various materials.
Located in Brescia, IT
The Colleoni Chapel - Model in wood, paper, tablet and various materials, Bergamo, 1873 -1875
The work has as its subject the Colleoni Chapel in Bergamo, commissioned by condottiere...
Category
1870s Italian Antique Maiolica Furniture
Materials
Metal
Vaso della serie Pleiadi di Marta Servadei per Bottega Gatti
Located in Torino, IT
Vaso della serie Pleiadi di Marta Servadei.
Realizzato in argilla liquida fusa sottoposta a tre fai di cottura.
Decorato da scintillanti strisce sottili di maiolica smaltata di bia...
Category
2010s Italian Maiolica Furniture
Materials
Platinum
Teruel (Aragon) - Spanish Maiolica Mortar, 17th century
Located in DELFT, NL
Ceramic mortar produced at the Teruel pottery workshops in the 17th century.
It has a truncated cone shape with three handles and a pourer. It is tin-...
Category
17th Century Spanish Baroque Antique Maiolica Furniture
Materials
Maiolica
ALDO CASTELLI - VENEZIA - Anno 1920 Maiolica cotta a gran fuoco e dipinta a mano
By De La Espada
Located in Milano, IT
Una rara maiolica dipinta a mano e cotta a gran fuoco , realizzata nella fornace SPADA, negli anni 20, dal gran artista ALDO CASTELLI, che insieme ad un altro gran artista del ferr...
Category
1920s Italian Art Nouveau Vintage Maiolica Furniture
Materials
Maiolica
18th CENTURY FAENZA PHARMACY ALBARELLO
Located in Firenze, FI
Pharmacy maiolica albarello, with a particular spool shape. The predominant glaze of the ceramic is white, on which there are decorations in blue and yellow. These decorations mainly...
Category
18th Century Italian Antique Maiolica Furniture
Materials
Maiolica
Stunning Italian Maiolica Ceramic and Brass Ceiling Lamp with four glass shades
Located in Mexico, DF
Beautiful long ceiling lamp in brass with two magnificent pieces of Italian maiolica ceramics in gold, cream, and green hues. One ceramic piece is pa...
Category
Early 20th Century Italian Neoclassical Revival Maiolica Furniture
Materials
Brass
19th Century Italian Majolica Centrepiece Urn with Mythological Scenes
Located in Toronto, CA
A fabulous figural boat shaped centrepiece/urn raised on a double dolphin base, with different painted mythological scenes throughout. The front and back of this urn are painted with...
Category
1870s Italian Renaissance Antique Maiolica Furniture
Materials
Ceramic, Maiolica, Majolica
Ancient Maiolica Tiles, Rampini Manufactory, Pavia, 1693-1704
Located in Milano, IT
Six maiolica “ambrogette” (tiles)
Rampini manufactory, painter probably Siro Antonio Africa
Pavia, 1693-1704
a) 6.88 x 5.51 in (17.5 x 14 cm); 0.55 lb (252 g)
b) 7.08 x 5.70 in (18 x 14.5 cm); 0.51 lb (233 g)
c) 6.88 x 5.70 in (17.5 x 14.5 cm); 0.54 lb (245 g)
d) 6.81 x 5.51 in (17.3 x 14 cm); 0.50 lb (230 g)
e) 6.88 x 5.51 in (17.5 x 14 cm); 0.50 lb (229 g)
f) 7.08 x 5.70 in (18 x 14.5 cm); 0.51 lb (233 g)
State of conservation: intact.
These six ”maiolica fina” small “ambrogette” belong to a family of ceramic works considered among the finest produced between the 17th and 18th centuries. For a long time, this type of maiolica was attributed to the Venetian village of Angarano, but later it was definitively attributed to the pottery factories in Pavia. A fundamental study ascribed this production specifically to Pavia through an analysis of Lombard collections and a comparison with archaeological remains found near the two main manufacturing sites in the city. (E. Pelizzoni - M. Forni - S. Nepoti, La maiolica di Pavia tra Seicento e Settecento, Milano 1997).
The six small oval tiles have rounded edges and are decorated with a historiated motif. They were created using high-fired polychrome technique, with a predominance of cool tones and a dominance of gray and blue, interspersed with manganese, citrine yellow, orange-yellow, and green. The six small “ambrogette” are characterized by the same stylistic features, with a similar decorative design.
The first tile (a) depicts a female figure, holding a stiletto and sitting near a pedestal supporting a relief-decorated baluster vase. Behind her, a child is holding a chalice, while through the arches of a portico, a glimpse of a mountainous landscape can be seen in the background. The female figure could possibly be Lucretia, an example of virtue in ancient Roman culture.
In the second “ambrogetta” b), the Biblical episode of Judith and Holofernes is depicted through canonical iconography: the decapitated body of Holofernes lies on the bed in the background, while the protagonist, Judith, is seen placing his head into a sack held by a maidservant. Through an archway a shining slice of the moon gives the perception of nighttime. Surprisingly, within the narrative, there is the presence of a basin in the shape of a large shell, closely resembling the products of Pavia's factories.
The third small plaque (c) depicts a female figure standing on a plinth and framed by an architectural arch with a vast mountainous landscape in the background. The woman, with her breasts exposed, is accompanied by two children: one approaching her as if wanting to be picked up, and the other seated with an apple in his hand. The protagonist lends herself to different interpretations: perhaps she represents Rea Silvia with the two twin founders of Rome, or perhaps she is an allegory for the Pietà, a common theme depicted on maiolica.
In the fourth tile (d), three characters are depicted near a column. The main figure is an old man with a sad expression, holding a cup, while a woman, wearing a turban on her head, also holds a cup in her right hand and a pitcher in her left. A second woman with her hair bound holds another pitcher behind the old man: at his feet a traveller's bag can be seen, along with some apples and a slice of cheese on a rectangular base. It is likely the sad Biblical episode of Lot and his daughters...
Category
Early 1700s Italian Baroque Antique Maiolica Furniture
Materials
Maiolica
19th Century Pair Italian White Porcelain Baroque Mirrors with Flowers
Located in Brescia, IT
Beautiful and fine pair of white Maiolica mirrors with elegant multi-color flowers drawings, in Baroque Style, handmade in Bassano by the well known Manufacturer Antonibon, coming fr...
Category
Early 19th Century Italian Baroque Antique Maiolica Furniture
Materials
Iron
Seta Nera
Located in Firenze, IT
Set di due lampade da tavolo con base in ceramica bianca. Il vaso ovale formato a colaggio è dipinto a mano con decori a foglia in smalto nero e oro 24k a 3° fuoco. Il paralume in se...
Category
21st Century and Contemporary Italian Maiolica Furniture
Materials
Gold Plate
MareLuna Azul
Located in Firenze, IT
Hand-formed spherical lamp made of blue majolica with glazed terracotta chip applications. Interior fully decorated in 24k gold in 3rd fire.
Category
21st Century and Contemporary Italian Maiolica Furniture
Materials
Gold Plate
Italian Maiolica Pitcher with a Rampant Lion, Center Italy , Ca 1850
Located in CH
Italian Maiolica Pitcher with a Rampant Lion, Central Italy , Ca 1850
This unmarked Maiolica Pitcher with a cream white background is decorated on the front with a cobalt blue rampa...
Category
Mid-19th Century Italian Renaissance Revival Antique Maiolica Furniture
Materials
Maiolica
Ancient Maiolica Tureen Ferretti Manufacture, Lodi, Circa 1770 - 1780
Located in Milano, IT
Maiolica tureen
Antonio Ferretti Manufacture
Lodi, Circa 1770 - 1780
Maiolica polychrome decorated “a piccolo fuoco” (third fire).
It measures 9.06 in in height x 13.39 in x 9.84 i...
Category
1770s Italian Rococo Antique Maiolica Furniture
Materials
Maiolica
Italian Cantagalli Maiolica Large Plate with family noble emblem, Late 19th C.
By Cantagalli
Located in CH
Italian Cantagalli Maiolica Large Plate with family noble emblem, Late 19th Century
During the 19th century Renaissance-Revival period the Cantagalli Maiolica and ceramic factory near Florence produced authentic copies of Renaissance Maiolica using traditional methods of tin glazing earthenware.
This large Maiolica plate from the late 1800s is marked on the back with the symbol of the Rooster, which indicates that it was created by the Cantagalli ceramics factory. The plate is decorated in the center with the noble emblem of the house of Frederick Stibbert, a well-known late 19th century English/Italian collector of ancient weapons...
Category
Late 19th Century Italian Renaissance Revival Antique Maiolica Furniture
Materials
Maiolica, Ceramic
Exotic Bird Parrot Garden Figure Majolica Handcrafted and Hand Painted
Located in München, DE
This handcrafted majolica figure is perfect for your interior or garden. The material is frost resistant and does not fade in sunlight. The tropical flair makes it a perfect complime...
Category
20th Century German International Style Maiolica Furniture
Materials
Maiolica
19th Century Liberty Gibus & Redon Polychrome Vase
Located in Firenze, FI
Characteristic four-handled polychrome majolica vase born from the artistic collaboration of Gibus and M. Redon. The object represents a fusion of Neo-Renaissance and Art Nouveau fea...
Category
1890s French Art Nouveau Antique Maiolica Furniture
Materials
Maiolica
Maiolica Bottle Cooler Joseph Hannong, Strasbourg France, circa 1771
Located in Milano, IT
Bottle cooler
Manufacture Joseph Hannong
Strasbourg, France, circa 1771
Maiolica polychrome decorated “a piccolo fuoco” (third fire)
It measures 7.40 in in height x 9.64 in diam...
Category
1770s French Rococo Antique Maiolica Furniture
Materials
Maiolica
16th Century Italian Maiolica Faience Dish with a Young Man Portrait
Located in Milan, IT
Mid-16th Century Italian Maiolica Dish hand-painted in blue and ocher yellow color with a profile young man portrait in the center. The maiolica col...
Category
16th Century Italian Renaissance Antique Maiolica Furniture
Materials
Maiolica
Italian Blue and White Albarello, Late 1800s
Located in Roma, IT
A beautiful blue and white Maiolica patterned Italian Albarello, late 1800s early 1900s. Found in Palazzo Torlogna in Rome. Albarelli were ancient st...
Category
Early 19th Century Italian Greco Roman Antique Maiolica Furniture
Materials
Maiolica, Ceramic
Turquoise Maiolica Italian Albarello Late, 1800s
Located in Roma, IT
This beautiful turquoise maiolica patterned Italian albarello (late 1800s early 1900s) was found in Palazzo Torlogna in Rome. Albarelli were ancient storag...
Category
Early 19th Century Italian Greco Roman Antique Maiolica Furniture
Materials
Maiolica, Ceramic
18th Century Italian Berrettino Majolica Faience Riser
Located in Milan, IT
An Italian maiolica berrettino-ground riser from 18th century, central Italy, probably Faenza origin. In the central part of the riser a ruined tower is painted within a mountain lan...
Category
Mid-18th Century Italian Rococo Antique Maiolica Furniture
Materials
Maiolica
Ancient Italian Maiolica Tureen, Rubati Manufacture, Milan, circa 1770-1780
Located in Milano, IT
Maiolica tureen
Pasquale Rubati Manufacture
Milan, circa 1770 - 1780
Maiolica polychrome decorated “a piccolo fuoco” (third fire).
It measures 6.69 in x 11,02 x 8.26 (17 x 28 x ...
Category
1770s Italian Rococo Antique Maiolica Furniture
Materials
Maiolica
Antique French Faience Lidded Bowl Tureen Hand Painted with Flowers and Insects
By Rouen
Located in Firenze, IT
A French 18th century large polychrome Faience lidded soup toureen or entree dish with scallop-shaped edges attributable to Rouen manufacture.
This lovely...
Category
18th Century French Rococo Antique Maiolica Furniture
Materials
Faience, Maiolica, Porcelain, Pottery
Large Antique Italian 18th Century Maiolica Faience Istoriato Plate Urbino 1790
By Urbino Workshop
Located in Portland, OR
A large & fine antique Italian maiolica Istoriato charger, Urbino, circa 1800.
This very handsome charger is hand-painted with Neoclassical nu...
Category
Late 18th Century Italian Baroque Antique Maiolica Furniture
Materials
Maiolica
Ancient Sicilian Majolicato Panel "Magnagrecia" End 19th Century
Located in Madrid, ES
Ancient Sicilian Majolicato panel "Magnagrecia" end 19th century.
Panel consisting of 15 x 15 cm tiles - 49 tiles.
Classic-inspired panel: MAGNA-GREECE
THICKNESS 1.2 cm
WEIGH...
Category
Late 19th Century Italian Baroque Antique Maiolica Furniture
Materials
Maiolica
Ancient Italian Coffee Pot, Coppellotti Manufacture, Lodi, Circa 1740
By Antonio Maria Coppellotti
Located in Milano, IT
Coffee pot
Antonio Maria Coppellotti Manufacture
Lodi, Circa 1740
High fire polychrome maiolica
It measures: 7.87 in x 6,49 x 5.11 (20 cm x 16,5 x 13); weight 1.23 lb (561 g)
...
Category
1730s Italian Rococo Antique Maiolica Furniture
Materials
Maiolica
Pair of Abruzzo Maiolica Albarelli, 17th Century
Located in London, GB
17th Century pair of Abruzzo Maiolica Albarelli
Waisted cylindrical form decorated with classical figures. White tin glaze with blue decoration.
Dimensions: 29 x 12 cm.
Category
17th Century Italian Antique Maiolica Furniture
Materials
Maiolica
Lorenzo Rubboli Two Handled Lustre Bowl
Located in East Geelong, VIC
This two handled, footed bowl with a lustre glaze is by Lorenzo Rubboli of Gualdo Tadino in Umbria, Italy. The centre of the bowl is decorated with a stylised flower which is contain...
Category
1930s European Renaissance Revival Vintage Maiolica Furniture
Materials
Maiolica
18th Century Italian Yellow Maiolica Pottery Albarello Drug Jar
Located in Bradenton, FL
An impressive 18th century polychrome decorated drug jar or 'Albarello'. The Albarello is of a typical waisted shape, and is decorated profusely in polychrome. The body of the jar is...
Category
18th Century Italian Baroque Antique Maiolica Furniture
Materials
Maiolica, Pottery
Sicilian Majolica Panel End 19th Century
Located in Madrid, ES
SICILIAN MAJOLICA PANEL end 19th Century
Panel made up of 20 tiles of approx.20x20 cm.
Classic-inspired panel: "Wild boar hunting in Magna Graecia".
...
Category
Late 19th Century Italian Baroque Antique Maiolica Furniture
Materials
Maiolica
Apollineo Arena Centerpiece in Leccese Stone and Hand-Painted Maiolica
By TIPSTUDIO
Located in Florence, IT
The Apollineo collection mergs classical and contemporary elements to define a unique aesthetic inspired by Mediterranean architecture and vibes. Sun-blessed pure volumes, shapes mar...
Category
2010s Italian Modern Maiolica Furniture
Materials
Stone, Limestone
Ceramic Pourer, Design Ambrogio Pozzi for Ceramica Franco Pozzi, Italy, 1970s
Located in Torino, IT
Ceramic pourer,
design Ambrogio POZZI
for Ceramica
Franco Pozzi.
EUROPOZZI series.
Gallarate Italy, 1970s
ORIGIN
Gallarate, Italy
PERIOD
70's
DESIGNER
Ambrogio POZZI...
Category
1970s Italian Vintage Maiolica Furniture
Materials
Ceramic, Maiolica
Italian Maiolica Painted Planter Pot
Located in Southampton, NY
Italian Maiolica painted planter pot.
This is a beautifully hand-painted short stamnos-shaped Maiolica pot. Maiolica is tin-glazed pottery from Ita...
Category
20th Century Maiolica Furniture
Materials
Ceramic, Maiolica
Pair of Italian Maiolica Vases, Coiled Snake Handles, Ca. 1880
By Capodimonte
Located in Banner Elk, NC
Pair of Italian Maiolica Vases, of baluster form, with polychrome Renassance style decptions, on pedestal bases, with large molded and applied snakes forming the handles, the reverse...
Category
Late 19th Century Italian Renaissance Revival Antique Maiolica Furniture
Materials
Maiolica
Italian Renaissance Plate, Patanazzi Workshop Urbino, End of 16th Century
Located in Milano, IT
Acquareccia plate
Patanazzi workshop
Urbino, last quarter of the 16th century
It measures diameter 17.12 in; foot diameter 11.53 in; height 1.88 in (43.5 cm; 29.3 cm; 4.8 cm).
Weight
State of conservation: wear and a few small minimal detachments of enamel, chipping on the raised areas, peeling of enamel at the brim on the back.
This large, shallow basin is equipped with a wide and convex well. It is umbonate with a contoured center. The brim, short and flat, is enclosed in a double rounded and barely raised edge. The basin has a flat base without rims; it has a slightly concave center in correspondence to the well.
The shape takes inspiration from the basins associated with the metal forged amphora pourers that traditionally adorned the credenza. These were used from the Middle Ages to wash hands during banquets. Two or three people washed their hands in the same basin and it was considered an honor to wash one’s hands with an illustrious person.
The decoration is arranged in concentric bands with, in the center of the umbo, an unidentified shield on a blue background: an oval banded in gold with a blue head, a gold star and a field with a burning pitcher.
Rings of faux pods separate the center from a series of grotesque motifs of small birds and masks. These go around the basin and are, in fact, faithfully repeated on the brim. The main decoration develops inside the flounce of the basin, which sees alternating symmetrical figures of winged harpies and chimeras. The ornamentation, outlined in orange, green and blue, stands out against the white enamel background.
This decorative style, defined since the Renaissance as “grottesche” or “raffaellesche”, refers to the decorations introduced after the discovery of the paintings of the Domus Aurea towards the end of the fifteenth century. The discovery of Nero's palace, buried inside Colle Oppio by damnatio memoriae, occurred by chance when a young Roman, in 1480, fell into a large crack which had opened in the ground on the hill, thus finding himself in a cave with walls covered with painted figures.
The great artists present in the papal city, including Pinturicchio, Ghirlandaio, Raffaello, immediately visited these caves. The decorations found there soon became a decorative subject of immense success: the term grotesque , with the meaning of “unusual,” “caricatured,” or “monstrous,” was later commented by Vasari in 1550 as “una spezie di pittura licenziose e ridicole molto”( “a very licentious and ridiculous kind of painting”).
The decorations “a grottesche” also widely circulated in ceramic factories, through the use of engravings, variously interpreted according to the creativity of the artists or the requests of the client.
Our basin is reflected in similar artifacts produced at the end of the sixteenth century by the factories of the Urbino district. See the series of basins preserved in the main French museums, among which the closest in morphology is that of the Campana collection of the Louvre (Inv. OA1496); this however has a more complex figure decoration, while the decoration of our specimen is sober and with a watercolor style.
The style, sure in its execution, approaches decorative results still close to the works produced around the middle of the sixteenth century by the Fontana workshop. The decoration is closely linked to their taste, which later finds its natural outlet, through the work of Antonio, also in the Patanazzi workshop. Studies show the contiguity between the two workshops due to the kinship and collaboration between the masters Orazio Fontana and Antonio Patanazzi, both trained in the workshop of Guido Fontana il Durantino. It is therefore almost natural that their works, often created according to similar typologies and under the aegis of the same commissions, are not always easily distinguishable, so much so that the presence of historiated or “grottesche” works by Orazio is documented and preserved in Antonio Patanazzi's workshop. Given that the studies have always emphasized the collaboration between several hands in the context of the shops, it is known that the most ancient “grottesche” works thus far known, can be dated from 1560, when the Fontana shop created the so-called Servizio Spagnolo (Spanish Service) and how, from that moment on, this ornamentation became one of the most requested by high-ranking clients. We remember the works created for the Granduchi di Toscana, when Flaminio Fontana along with his uncle Orazio supplied ceramics to Florence, and, later, other commissions of considerable importance: those for the service of the Duchi d’Este or for the Messina Farmacia of Roccavaldina, associated with the Patanazzi workshop when, now after 1580, Antonio Patanazzi began to sign his own work.
Thus, in our basin, the presence of masks hanging from garlands, a theme of more ancient memory, is associated in the work with more advanced stylistic motifs, such as the hatching of the chimeras and harpies. These are found here on the front with the wings painted in two ornate ways. In addition, the theme of the birds on the edge completes the decoration along the thin brim and can be seen as representing an early style typical of the Urbino district during a period of activity and collaboration between the two workshops. Later, a more “doll-like” decorative choice, typical of the end of the century and the beginning of the seventeenth century, characterized the period of the Patanazzi workshop under the direction of Francesco.
Bibliography:
Philippe Morel, Il funzionamento simbolico e la critica delle grottesche nella seconda metà del Cinquecento, in: Marcello Fagiolo, (a cura di), Roma e...
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