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Enquiry from Online Galleries regarding "A Louis XVI Cartel Clock By Joseph Lottin"
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Look at what I found on the Online Galleries website!
to XII in Roman numbers for the hours and from 5 to 60 in Arabic numbers for the minutes. The upper
section shaped as a curvilinear entablature, decorated with small waves, is surmounted with a woman, the
allegory of Day, sitting on a rock and dressed in Antique-style tunic and sandals. She is crowned with a
laurel wreath, and her left arm, leaning against a tree, holds a beaming sun in a medallion. The right arm
brings the viewer’s look towards the medallion, symbol of the allegory. Above the dial, below the entablature,
is tied a loose drape falling on both sides of the dial, held by decorative gilt pins. The sides also feature
lavish laurel and olive-tree branches in bouquet. The lower section features a beautiful woman’s mask,
crowned with various flowers and rope-beads, her braided hair is tied under her chin, over two large volutes,
above a large flat acanthus leaf with seeds.
known as cartel. This met its highest popularity under Louis XV and Louis XVI. The large
size, as well as its extraordinary chasing and gilding quality, makes it an exceptional work,
probably commissioned by a noble or royal family, to decorate the salon of his Parisian hôtel
particulier or country chateau.
Joseph Lottin was made Parisian maître horloger on July 4th, 1771. Even though we hold little
information on his career, it seems that he has employed, for the execution of the clock
case, the skills of one of the finest bronziers such as Robert Osmond, whose creations were
strongly inspired by the designer Jean-Charles Delafosse.
|Height||96.00 cm||(37.80 inches)|
|Width||44.00 cm||(17.32 inches)|
|Depth||16.50 cm||(6.50 inches)|