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Enquiry from Online Galleries regarding "A Rare Musical Carriage Clock"
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The eight-day duration movement has a finely engraved and gilded platform cylinder escapement with a plain gold balance and strikes the hours & half-hours on a bell, repeating the last hour on depressing the button to the top of the case, with the musical train set-off two minutes before each hour, the box being situated in the base of the clock. There are levers to the base for changing of the tune; stopping the tune immediately and stopping at the end. The backplate of the movement is engraved with the maker's details 'Bovet Frères à Fleurier’ and numbered ‘3409’.
The white enamel dial has black Roman hour numerals, a subsidiary alarm dial, blued steel trefoil hands and a sweep seconds hand to the centre, which was very much favoured for the Chinese market at this time; with a repeat of the maker’s name to the centre. Interestingly the rear of the dial is signed for the Parisian dial maker Aime Petremand who died in 1843 and was at first succeeded by his widow, Phillipine Sandoz, and then his daughter Lise-Olympe Petremand and her husband Adolphe Mojon following their marriage in 1844. It was Mojon who in future years was to make dials for both Albert Jacot and Alfred Drocourt, amongst other fine carriage clock makers.
The gilded brass case has engraved decoration to the base and top with further engraved decoration to the solid back door and a cast brass handle; the barley-twist columns have bronzed acanthus capitals and are surmounted with further bronzed flame finials.
The three Bovet brothers, Bovet Frères, Frederick (born 1786), Alphonse (born 1788) and Edouard (born 1797) had worked alongside their father, the watchmaker Jean-Frédéric Bovet in Fleurier, Switzerland, where they were contemporaries of their cousin, the well-known horologist George-Alfred Vaucher. In 1812 they left the area and moved to London where they worked with Ilbery & Magniac, both of whom saw the potential in the emerging Chinese market, and in 1818 sent Edouard to Canton to establish a business selling watches there. In 1822, Edouard himself having sold a number of his own watches for good money in Canton, returned to London to set up business alongside his brothers with the sole intention of making the most of this Chinese love of Western horological pieces.
Edouard concentrated on the Canton side of the business, whilst the two brothers remained in London arranging the shipments outward. A fourth brother, Gustave, was charged with running the manufacturing side of the business back in their home-town of Fleurier. They set up workshops in Canton in 1830 but this operation proved too large and expensive, especially with the troubles brought by the Opium Wars which were raging at this time, and a smaller operation was set up in Macau.
By 1855 the watch market in China effectively crashed overnight with the Opium Wars still causing problems for the various companies trying to trade in the country. This, allied with competition from the American and German watch companies who were able to produce and sell cheaper watches, and, by this date, the death of the three brothers, meant that in 1864 the company, now possibly being run by their nephew Louis Bovet, sold their interest to another Fleurier business run by Jules Jequier and Ernest Bobillier, who were soon joined by Ami Leuba. Although this effectively ended the family’s connection, the name continued in various ways until the 1960s, being run for a short period in the mid-20th century by descendants of the Bovet family.
Although a number of fine clocks are known by Bovet Frères, their main production was in watches of superb quality, which were often sold in pairs as was the custom in China at that time; the Chinese liked to have symmetry, especially when hanging the watches on a wall, with the desire to show both front and back. According to Eugène Jaquet and Alfred Chapuis, writing in the ‘The Technique and History of the Swiss Watch’ published in 1953, many of the watches sold by Bovet Frères were very English in their design and execution; indeed Chapuis, writing in ‘The Montre Chinoise‘ goes as far as to suggest that many signed as made in Fleurier were in fact made in England.
|Height||8.00 inch||(20.32 cm)|