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In the manner of THOMAS & GEORGE SEDDON (worked from 1815)
A Very Fine Pair of Library Cabinets of the late Georgian Period (c. 1835 England)
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| Item Stock Code |
7516 |
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| European Dimensions |
92.00 cm wide 150.00 cm high 56.00 cm deep |
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| UK/USA Converted Dimensions |
36.22 inches wide 59.06 inches high 22.05 inches deep |
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| Item Literature |
The combination of a restrained and elegant design, whilst using timber of the finest quality and colour would suggest these pieces were made by cabinet makers of the first rank, and Gillows of Lancaster or T & G Seddon of London have been suggested as the possible makers. |
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| Item Description / Dealer Expertise |
Constructed using Cuban mahogany of the finest quality and marking, that has acquired a truly magnificent colour and patination; rising from plinth bases, each having a single door, housing trellis brass work, with separately cast petals at the interstices; the doors having carved wood knob handles mirroring the brass petals; the interiors are shelved, and framed within Ionic type columns issuing from ring turned bases, and adorned with leaf dressed capitols; the cabinets are a true pair, opening from the left and right, The platforms have three quarter galleries, with an ogee rail supported with turned spindles. |
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| SEDDON |
In 1753 George Seddon I, founder of the business, purchased a London house and two acres of land in Aldersgate Street where the family firm remained until the 1830s. The enterprise expanded rapidly, for by 1768 he was employing under licence 100 tradesmen who were non-freemen. A fire in that year destroyed upwards of 80 chests of tools' and over £20,000 worth of stock. By 1783, when there was another fire, Seddon employed nearly 300 'of the most capital hands' in London, while Sophie Von La Roche, a German lady who visited the premises in 1786, wrote that he was 'foster-father to 400 employees'. Her description of the establishment provides easily our best contemporary portrait of a comprehensive late 18th-century cabinet manufactory:
We drove first to Mr Seddon's ...He employs four hundred apprentices (and Journeymen) on any work connected with the making of household furniture -joiners, carvers, gilders, mirror-workers, upholsterers, girdlers -who mould the bronze into graceful patterns -and locksmiths. All these are housed in a building with six wings. In the basement, mirrors are cast and cut. Some other department contains nothing but chairs, sofas, stools of every description, some quite simple, others exquisitely carved and made of all varieties of wood, and one large room is full up with all the finished articles in this line, while others are occupied by writing-tables, cupboards, chests of drawers, charmingly fashioned desks, chests both large and small, work- and toilet-tables of all manner of wood and patterns, from the simplest and cheapest to the most elegant and expensive. The entire story of the wood, as used for both inexpensive and costly furniture and the method of treating it, can be traced in this establishment. Seddon, foster father to 400 employees, seemed to be a respectable man, a man of genius, too, with an understanding for the needs of the needy and the luxurious, a man who has become intimate with the quality of woods from all parts of the earth, with the chemical knowledge of how to colour them or combine their own tints with taste, has appreciated the value of all his own people's labour and toil, and is for ever creating new forms. George Seddon I trained his sons Thomas I (bound as a cabinet-maker 1775-82) and George II (bound as an upholsterer 1777-84) in the trade; both were taken into partnership about 1785. During the years c. 1788-98 his son-in-law, Thomas Shackleton, joined the firm, which became known as 'Seddon, Sons & Shackleton'. They made for Charles IV of Spain a spectacular painted satinwood combination bureau, dressing table and jewel case housing an organ which not only carried their name plate but was also signed by a workman 'R Newham 28 June 1793'. Thomas I, the ambitious eldest son, started an independent offshoot of the business at 10 Charterhouse Street (1790-97) and 24 Dover Street (1793-1800), while continuing his involvement in the family firm. When George Seddon I died in 1801, the firm passed directly to his sons, Thomas I and George II, who almost at once encountered financial problems; by 1804 they faced bankruptcy. After the death of Thomas in that year, George II started to payoff creditors and by the time of his own death in 1815 had done enough to ensure the firm's survival. The business was inherited by his nephew, Thomas Seddon II (1792-1864), who was joined about 1817 by his younger brother, George Seddon III (1796-1856). The partners continued to trade at London House but in 1826 launched out with a West End showroom at 16 Lower Grosvenor Street. Following yet another fire at the work-shop the firm moved in 1831 to Gray's Inn Road, finally giving up the Aldersgate premises in 1837. It was not until 1853-54 that they moved to 67 New Bond Street. Before Thomas II and George III started, on a fairly regular basis, to use the familiar 'T & G SEDDON' printed label (either with the Aldersgate Street or Gray's Inn Road address) the firm only routinely marked patent furniture. In 1827 Seddon's entered into a temporary partnership with Nicholas Morel for the purpose of handling a major commission to refurnish Windsor Castle; the arrangement lasted for four years -and resulted in T. & G. Seddon being awarded a Royal Warrant in 1832. Thereafter, they included 'Manufacturers / To Her Majesty' at the head of their label and added a crown to their name stamp. |
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| GILLOWS OF LANCASTER & LONDON |
Furniture makers: In about 1695 Robert Gillow founded his firm in Lancaster. His son, Richard, was taken into partnership in 1757. The firm opened a London branch in Oxford Street about 1777.
Noble commissions came and in 1800, Richard Gillows took over a patent for an extending dining table which further enhanced the firm's reputation. The history of Gillows is exceptionally complete, as nearly all the order books and salesman's archives still exist. We know that the practice of stamping GILLOWS. LANCASTER started in around 1780 and continued until 1817, which might seem surprisingly early as the design seems to reflect the taste of the early Victorian era, yet it is twenty to thirty years ahead of its time. Today, it is difficult to comprehend the range of Gillows' business at this time. They traded not only in finished furniture, but also in timber from the West Indies along with sugar and spirits from the same region. They undertook architectural joinery and fitted out entire buildings, providing wall papers, fixtures and fittings. Their salesmen toured the country with books of illustrations lavishly coloured to tempt buyers. Gilllows even pioneered 'flat-packing' in order to offer their clients a reduced price. There was no corner of the furniture trade they did not thoroughly exploit. Between 1780 and 1830, they were the furniture trade, leading in price, fashion and even work practices. |
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Please email or call +44 (0)20-7221 8174 for more information or to purchase this item. |
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| Status |
FOR SALE |
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