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Enquiry from Online Galleries regarding "Antique Pair French Vernis Martin Display Cabinets 1880"
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Look at what I found on the Online Galleries website!
These beautiful cabinets have hand painted decoration, exquisite ormolu mounts and Rouge Griotte marble tops. The central panels have beautiful paintings depicting a courting couple and the side panels have paintings of country scenes.
They have serpentine glass to the sides, the interiors are lined in burgundy velvet and there is a capacious cupboard in the bottom of each.
With working locks and original keys.
This near pair were made by the same cabinet maker, the difference is that one is slightly taller, by 3 cm, than the other, and this can be seen in the photos.
The quality and attention to detail throughout is second to none.
Add a touch of unparalleled style to your home.
In excellent condition having been beautifully restored in our workshops, please see photos for confirmation.
Dimensions in cm:
Height 161 x Width 92 x Depth 38
Height 158 x Width 90 x Depth 38
Dimensions in inches:
Height 63.4 x Width 36.2 x Depth 15.0
Height 62.2 x Width 35.4 x Depth 15.0
Vernis Martin is a lustrous lacquer substitute widely used in the 18th century to decorate furniture and such personal articles as brisé fans, snuffboxes and clocks. The process of adding bronze or gold powder to green varnish was perfected by the French brothers Guillaume and Etienne-Simon Martin, hence its name “Vernis Martin”, as Vernis is French for varnish. It is said to have been made by heating oil, copal and amber and then adding Venetian turpentine and the Martin brothers perfected the process with inclusions in the varnish, sprinkling spangles of silver plated copper wire into the wet varnish ground. Highly praised by Voltaire, it was developed to imitate East Asian lacquerware which was being imported into France during the Louis XV period. Vernis Martin was made in several colours, green, black and a golden red being the most characteristic.
Ormolu (from French 'or moulu', signifying ground or pounded gold) is an 18th-century English term for applying finely ground, high-carat gold in a mercury amalgam to an object of bronze.The mercury is driven off in a kiln leaving behind a gold-coloured veneer known as 'gilt bronze'.
The manufacture of true ormolu employs a process known as mercury-gilding or fire-gilding, in which a solution of nitrate of mercury is applied to a piece of copper, brass, or bronze, followed by the application of an amalgam of gold and mercury. The item was then exposed to extreme heat until the mercury burned off and the gold remained, adhered to the metal object.
No true ormolu was produced in France after around 1830 because legislation had outlawed the use of mercury. Therefore, other techniques were used instead but nothing surpasses the original mercury-firing ormolu method for sheer beauty and richness of colour. Electroplating is the most common modern technique. Ormolu techniques are essentially the same as those used on silver, to produce silver-gilt (also known as vermeil).
318 Green Lanes