Antique Victorian Serpentine Boulle Corner Cabinet 1860
Antique Victorian Serpentine Boulle Corner Cabinet 1860
Antique Victorian Serpentine Boulle Corner Cabinet 1860
Antique Victorian Serpentine Boulle Corner Cabinet 1860
Antique Victorian Serpentine Boulle Corner Cabinet 1860
Antique Victorian Serpentine Boulle Corner Cabinet 1860
Antique Victorian Serpentine Boulle Corner Cabinet 1860
Antique Victorian Serpentine Boulle Corner Cabinet 1860
Antique Victorian Serpentine Boulle Corner Cabinet 1860
Antique Victorian Serpentine Boulle Corner Cabinet 1860

Antique Victorian Serpentine Boulle Corner Cabinet 1860

c. 1860 France

Offered by Regent Antiques

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This is a stunning antique ebonised serpentine red tortoiseshell and cut brass Boulle corner cabinet, circa 1860 in date.

It has a serpentine glazed door with a burgundy velvet lined interior. It is further decorated with exquisite gilded ormolu mounts and stands on an elegant plinth base.

There is no mistaking the unique quality and design, which is certain to make it a talking point in your home. As such, this cabinet sure to take pride of place in your dining room or reception and is perfect to display your collectables.

Condition:

In excellent condition having been beautifully restored in our workshops, please see photos for confirmation.


Dimensions in cm:

Height 125 x Width 91 x Depth 47

Dimensions in inches:

Height 49.2 x Width 35.8 x Depth 18.5
Tortoiseshell or tortoise shell

is a material produced mainly from the shell of the hawksbill turtle, an endangered species. It was widely used until the 1970s in the manufacture of items such as combs, sunglasses, guitar picks and knitting needles. In 1973, the trade of tortoiseshell worldwide was banned under CITES.

Tortoiseshell was attractive to manufacturers and consumers because of its beautiful appearance and its durability, and its organic warmth against the skin. Piqué-work, jewellery made from tortoiseshell inlaid with precious metals in patterns or pictures, was made during the Victorian Era and was highly prized.

André-Charles Boulle (1642 – 1732), was the French cabinetmaker who is generally considered to be the preeminent artist in the field of marquetry. His fame in marquetry led to his name being given to a fashion of inlaying known as Boulle (or in 19th-century Britain, Buhl work).

Boulle appears to have been originally a painter, since the first payment to him by the crown of which there is any record (1669) specifies ouvrages de peinture. He was employed for many years at Versailles, where the mirrored walls, the floors of wood mosaic, the inlaid paneling and the marquetery furniture in the Cabinet du Dauphin were regarded as his most remarkable work. These rooms were long since dismantled and their contents dispersed, but Boulle's drawings for the work are in the Musée des Arts Décoratifs, Paris.

His royal commissions were numerous, as we learn both from the Comptes des B timents du Roi and from the correspondence of Louvois. Not only the most magnificent of French monarchs, but foreign princes and the great nobles and financiers of his own country crowded to him with commissions, and the mot of the abbé de Marolles, Boulle y lourne en ovale, has become a stock quotation in the literature of French cabinetmaking.

Ormolu
(from French 'or moulu', signifying ground or pounded gold) is an 18th-century English term for applying finely ground, high-carat gold in a mercury amalgam to an object of bronze.The mercury is driven off in a kiln leaving behind a gold-coloured veneer known as 'gilt bronze'.

The manufacture of true ormolu employs a process known as mercury-gilding or fire-gilding, in which a solution of nitrate of mercury is applied to a piece of copper, brass, or bronze, followed by the application of an amalgam of gold and mercury. The item was then exposed to extreme heat until the mercury burned off and the gold remained, adhered to the metal object.

No true ormolu was produced in France after around 1830 because legislation had outlawed the use of mercury. Therefore, other techniques were used instead but nothing surpasses the original mercury-firing ormolu method for sheer beauty and richness of colour. Electroplating is the most common modern technique. Ormolu techniques are essentially the same as those used on silver, to produce silver-gilt (also known as vermeil).
Stock Code
05637
Regent Antiques

Regent Antiques
Manor Warehouse
318 Green Lanes
London
N4 1BX

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