At the Ball
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ErtéAt the Ball1981
1981
About the Item
Erté
Born Romain de Tirtoff (1892–1990) in St. Petersburg, Russia, to an aristocratic family, the artist known as Erté — a pseudonym derived from the French pronunciation of his initials — was a Renaissance man of the art and design world. He worked in graphic arts, interior design, fashion, jewelry and set design for the stage and silver screen, becoming a leader of the Art Deco style.
Moving to Paris in 1912, Erté worked as a fashion designer under couturier Paul Poiret before securing a job with Harper’s Bazaar as a cover artist. Over 22 years, Erté created more than 240 magazine covers alongside his ongoing work in fashion design. Extending his prolific career into theater sets, costumes, prints and lithographs, he became one of the most famous artists of the era. Erté’s style — a combination of the nature-inspired flourishes of Art Nouveau and bold, geometric linework — directly contributed to the birth of Art Deco, earning him the nickname “the Father of Art Deco.”
After a lull of creative production in the 1940s and 1950s, Erté reentered the public eye in the 1960s, when a renewed interest in Art Deco had taken shape. Creating colorful lithographs, bold serigraphs (silk-screen prints) and bronze sculptures, he contributed to a resurgence of the style in France and beyond. This late-life acclaim for his art led to exhibitions in museums and galleries all over the world as well as his first published monograph in 1970. That same year he was awarded the title of Chevalier du Mérite Artistique et Cultural and in 1976 was named Officier des Arts et Lettres by the French government. Today, Erté’s works are in the collections of the Metropolitan Museum of Art and the Cooper Hewitt, Smithsonian Design Museum, in New York, the Victoria and Albert Museum in London and LACMA in Los Angeles..
On 1stDibs, browse a collection of Erté art, including fine-art prints, paintings and other works.
- Lady and BoatsBy Marcelle Simone StoianovichLocated in San Francisco, CAArtist: Marcelle Stoianovich (French, 1926-2014) Title: Lady With Boats Year: Circa 1975 Medium: Color lithograph Edition: Inscribed E.A in pencil Paper: Wove Image size: ...Category
Late 20th Century Art Deco Figurative Prints
MaterialsLithograph
- InteriorBy Itzchak TarkayLocated in San Francisco, CAThis artwork titled "Interior" is an original watercolor on paper by Israeli artist Itzchac Tarkay 1935-2012. It is signed at the lower right corner. The image size is 11.5 x 9 inc...Category
Late 20th Century Art Deco Figurative Prints
MaterialsWatercolor
- Splendor, Three Women With FlowersBy Otto De Souza AguiarLocated in San Francisco, CAThis artwork is a giclee print with hand embelishment on canvas, by Brazilian artist Otto De Souza Aguiar 1936-2006. It is hand signed and numbered E.A 25/45 in gold pigment. The ca...Category
Late 20th Century Art Deco Figurative Prints
MaterialsGiclée
- Leo, from the Zodiac suiteBy ErtéLocated in San Francisco, CAArtist: (Romain De Tirtoff) Erte (Russian, 1892-1990) Title: Leo Year: 1978 Medium: Color serigraph Edition: Numbered 281/350 in pencil Image size: 17 x 12.75 inches Framed s...Category
Late 20th Century Art Deco Figurative Prints
MaterialsScreen
- NocturneBy Robert HoppeLocated in San Francisco, CAThis artwork titled "Nocturne" 1987 is an original color lithograph by American artist Robert Hoppe, 1943-1989. It is hand signed and numbered 172/390 in ...Category
Late 20th Century Art Deco Figurative Prints
MaterialsLithograph
- Sophia Relaxes at the CafeBy Itzchak TarkayLocated in San Francisco, CAThis artwork titled "Sophia Relaxes at the Cafe" c.1990 is an original color serigraph on paper by Israeli artist Itzchac Tarkay 1935-2012. It is hand signed in black ink and number...Category
Late 20th Century Art Deco Figurative Prints
MaterialsScreen
- Sandeman Porto & Sherry – Iconic Original PosterLocated in Zurich, CHThe Don: One of the most recognizable figures in poster history ever, quietly reveling in the simple delights of a glass of ruby port – typically thought of as a horseman, clad in a ...Category
1920s Art Deco Figurative Prints
MaterialsPaper, Lithograph
- Art Deco Antique Poster "Eugene - Ondulation Permanente"Located in Hinsdale, ILFOSSEY (DATES UNKNOWN) EUGENE / ONDULATION PERMANENTE. 1926. Shee Size: 35 1/4x22 1/2 inches, 89 1/2 x 57 cm. C. Courtois, Paris. This is a gorgeous example of art deco artwork...Category
1920s Art Deco Figurative Prints
MaterialsLithograph
- ViolinistLocated in Berlin, MDEngelina (Engelien) Reitsma-Valença (3 May 1889 - 11 July 1981) Amsterdam, Netherland. The portrait is of a violinist playing what appears to be an enervating piece. An engraver, st...Category
Early 20th Century Art Deco Figurative Prints
MaterialsWoodcut
- Morning PaperLocated in Saugatuck, MIPrinted in 1941, this work entitled Morning Paper is a mezzotint and was the 32nd Presentation Print of the Chicago Society of Etchers. Founded by Chicago artist Bertha Jacques in 19...Category
1940s Art Deco Figurative Prints
MaterialsMezzotint
$1,036 Sale Price35% Off - Letter "Y" from the Alphabet SuiteBy Erte - Romain de TirtoffLocated in Saugatuck, MIErte hand signed and numbered limited edition lithograph and screen print. From the Alphabet Suite. Framed dimensions are 26" W x 31" T. Near Mint condi...Category
1970s Art Deco Figurative Prints
MaterialsScreen, Lithograph
- Art deco handcolored woodcut on paper - Walking black panther by Gaston SuisseLocated in Carouge GE, GEGaston Suisse (1896-1988) Panthère noire dans les bambous, 1927 Gravure sur bois, sur papier Velin de Van Gelder. Rehaussé aux lavis d’encre de Chine par l’artiste Signé en bas à gauche et daté 1927 en bas à droite Black panther in a forest of bamboos, 1927 A handcolored woodcut on Velin de Van Gelder paper Signed and dated 1927 Bibliographie /Literature Gaston Suisse, splendeur du laque art déco. Emmanuel Bréon. Somogy Éditions d'art, Paris 2013, reproduite page 105 (un autre exemplaire reproduit) The artist made a wood engraving of which he made about twenty prints himself. These proofs were not marketed as is, Gaston Suisse reworked each of the proofs using Indian ink washes in order to obtain different effects for each proof, which are thus unique original works. Born in 1896 in a family of artists, his father Georges was a close friend of Siegfried Bing and a great lover of Japanese art and a bibliophile. He passed his taste for art to his son whom he often took to draw at the Botanic Garden . Around 1910, Gaston Suisse, who hasn't entered yet the artistic school, met Paul Jouve, then 18 years his elder, who was already famous. In 1911, at the age of 17, he entered the National School of Decorative Art where he followed the teachings of Paul Renouard. Thanks to his knowledge and taste for the Japanese art, he chose lacquer painting as his specialty. His practice of this noble and demanding subject were so much appreciated that he was awarded with two gold medals in 1913 and 1914. Mobilized during the war , he joined the army and go in Salonika where he found his friend Jouve. In 1918, he finished his studies at the School of Applied Arts in order to perfect his training. He learned in particular the techniques of gilding and oxidation of metals. The first productions of Gaston Suisse, furniture and objects in lacquer with geometrical patterns, were an instant success and Suisse was appointed as member of Salon d'Automne in 1924, the very year of his first exhibition. Considered as an artist-decorator, his sincere and deep friendship with Jouve linked him in parallel with the groups of the animaliers of the Jardin des Plantes and became a close friend of Edouard-Marcel Sandoz. When travelling to Maghreb and Middle-East between 1923 and 1925, he produced numerous drawings representing antelopes, apes and fennec foxes...Category
1920s Art Deco Animal Prints
MaterialsIndia Ink, Woodcut
