Chippendale Bell Metal Bowfront Fender
Chippendale Bell Metal Bowfront Fender
Chippendale Bell Metal Bowfront Fender
Chippendale Bell Metal Bowfront Fender

After THOMAS CHIPPENDALE (1718-1779)

Chippendale Bell Metal Bowfront Fender

c. 1730 to c. 1760 England

Offered by Baggott Church Street Ltd

£4,450 gbp
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Listing Information
Pierced and engraved frieze with Ho-ho birds, Chinese dragons and floral motifs, with scrolled top and applied half round moulding, and a cast, moulded base of inverted caveto form. This fender demonstrates exceptional quality and a fine, sophisticated design after Thomas Chippendale. The interest in the exotic orient in the mid 18th century saw the prolific use of Chinese decoration upon many items in wealthier homes, but this use of both the dragon and Ho-ho bird is particularly unusual and interesting. Their pairing represents Chinese symbolism of strong and happy relations and was especially used to decorate the homes of those newly married and also the furniture of royalty.
English, circa 1730-1760
H. 6”(15cm) W. 50”(127cm) D. 5”(13cm)
Stock No. 8121
Similar fenders are now in the collections of both the V&A Museum, London, and the important Colonial Williamsburg Foundation, Virginia, USA. Both examples can be seen in ‘The Brass Book’, Schiffer, 1978 (p241) and on the front cover and within ‘Domestic Metalwork 1640 – 1820’, Rupert Gentle and Rachel Field, 1994 (p338)

The Fenghuang is a Chinese mythical bird that is referred to in the West as the Phoenix. A composite of many birds, it tends to be depicted nowadays as having, amongst other things, the head of a golden pheasant, tail of a peacock, legs of a crane and mouth of a parrot. It is said to appear in places that are blessed with utmost peace, prosperity or happiness. Phoenixes used in decoration of the home were meant to represent loyalty and honesty in the people who lived therein. They are a further symbol of blissful relations between husband and wife. In China, it has become the country’s most respected and revered legendary creature and the feminine counterpart to the symbol of the equally respected dragon. Through the Chinese influences in art and furniture, the Fenghuang has also become known as the Ho-ho bird, possibly deriving its name from the Japanese ‘Ho-o’ or Hou-ou’ word for the same bird, the legend of which was adopted from China.

Chinese dragons are creatures from the country’s myths and legends and are normally portrayed as long, scaled, serpentine creatures with four legs and the various parts of more familiar animals, each symbolising different strengths and qualities. Traditionally it is said to wield power over water, rainfall, hurricanes and floods and is also revered as a symbol of power, strength and good fortune. For thousands of years it has been worshipped as the source of all that was beneficial to communal wellbeing and was seen as a bringer of joy and miracles. In ‘yin and yang’ terminology, a dragon is ‘yang’ and complements the ‘yin’ of the Chinese ‘fenghuang’ – the Ho-ho bird.
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Baggott Church Street Ltd

Baggott Church Street Ltd
Church Street
GL54 1BB

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