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Enquiry from Online Galleries regarding "Marriage a la Mode"
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Look at what I found on the Online Galleries website!
1. Plate I - The Marriage Contract
2. Plate II - The Breakfast Scene
3. Plate III - The Scene with the Quack
4. Plate IV - The Countess’s Levee
5. Plate V - The Death of the Earl
6. Plate VI - The Death of the Countess
A set of six copper plate engravings published in London, April 1st, 1745. Three French etchers and line engravers, Bernard Baron, Louis Gerard Scotin and Simon Francois Ravenet, engraved the plates after the designs of William Hogarth.
Hogarth is, perhaps, the best-known and most important engraver of the eighteenth century. He began his career as an engraver on silver and did not produce his first engraving, a small trade card, until 1720. From the moment that he completed the set of six paintings entitled Harlot’s Progress and the subsequent set of prints, Hogarth realised that he could convey his message to a much larger audience and profit from the sale of prints at the same time. Immediately the prints were executed pirate copies were printed and it was this that prompted Hogarth to agitate for the passing of the ‘Engravers’ Copyright Act’, whereby the copyright of the artist’s design was protected for fourteen years. His next famous series, The Rake’s Progress appeared after the law was enacted in 1735 and for the series Marriage à la Mode Hogarth employed the services of three French engravers, Baron, Scotin and Ravenet.
|Height||22.25 inch||(56.51 cm)|
|Width||25.75 inch||(65.40 cm)|
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