Pair of Anatomical Studies of a Horse
Pair of Anatomical Studies of a Horse
Pair of Anatomical Studies of a Horse
Pair of Anatomical Studies of a Horse
Pair of Anatomical Studies of a Horse
Pair of Anatomical Studies of a Horse
Pair of Anatomical Studies of a Horse

G. VIFINARA (worked c.1840-1860)

Pair of Anatomical Studies of a Horse

1845 Italy

Offered by Thomas Coulborn & Sons

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Depicting the horse from a side view and showing the skeleton in the first painting; and the musculature in the second.


Pair of Anatomical Studies of a Horse

G. Vifinara (Italian, mid 19th Century)

ITALY, Painted in Milan in 1845
Oil on canvas, in the original frames

Both indistinctly signed; one on the reverse of the canvas, the other on the stretcher, both inscribed and dated: ‘Milano, 1845’.

6323_PairofAnatomicalStudiesofaHorse13

Depicting the horse from a side view and showing the skeleton in the first painting; and the musculature in the second.

These highly unusual works bear little relation with the mainstream artistic movement in Milan in the 1840’s. Apparently the work of a little known artist they have a unique atmosphere created by the unusual subject matter and the restrained palette. The artist may well have been inspired by George Stubbs’ celebrated publication ‘The Anatomy of the Horse‘, which was first published in 1766. Stubbs studied anatomy, and his pictures of horses are among the most accurate ever painted. His work was based on numerous meticulous dissections, a practice which was controversial at the time. Stubbs depicts the horse in three positions – side, front, and back – first presented showing the skeleton alone in each position; then producing five studies showing layers of muscles, fascias, ligaments, nerves, arteries, veins, glands, and cartilages. Stubbs’ depictions of horses are notable for their nobility and extreme anatomical precision.
Private Collection, Switzerland.
Dimensions
Height 72.50 cm (28.54 inches)
Width 97.00 cm (38.19 inches)
Stock Code
6323
Medium
Oil on canvas, in the original frames
Signed/Inscribed
Both indistinctly signed; one on the reverse of the canvas, the other on the stretcher, both inscribed and dated: ‘Milano, 1845’.
Thomas Coulborn & Sons

Thomas Coulborn & Sons
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