Papier-Mâché Tray
Papier-Mâché Tray
Papier-Mâché Tray

Papier-Mâché Tray

19th century England

Offered by Pieter Hoogendijk

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Shaped oval, the centre painted with flowering branches of roses with a bird and a butterfly, the border with a band of acorns and aokleaves. The first patent for papier-mâché was registered by Henry Clay of Birmingham in 1772. Papier-mâché is an arto of highly refined and skilled craftsmanship. Though tedious and laborious in the making, the finished work itself conveys a sense of elegant simplicity.
Ten or so sheets of unsized paper were glued and then lauered on a metal or wooden mold. Each sheet was covered with a paste or glue that had been dissolved in water and smoothed out by pressing out any air bubbles. The work was then trimmed, dipped in linseed oil to make it waterproof and dried in an oven. Afterwards it was smoothed once again, preparing the surface for decoration. The object would now be cut, chiseled or worked into various functional articles. One of the most popular was the tea tray.

Although colored base grounds were sometimes used, the majority of Georgian period pieces had a black base color. The ground color is a black tar varnish made with a combination of oils. Gold leaf was used most frequently in decoration Georgian papier-mâché. The method of gold leaf was to first pencil trace a design onto an object, then paint over the design with an adhering paste. Before the paste dried completely, the gold leaf was pressed on and was set aside for several days to harden. The gold leaf that did not adhere was polished off, with the positive design remaiing. To be successful this process required the delicate sensitivity of a skilled craftsman.
Height 30.00 cm (11.81 inches)
Depth 42.00 cm (16.54 inches)
Pieter Hoogendijk

Pieter Hoogendijk
Amsterdamsestraatweg 31

1411 AW

+31(0)35 542 04 59
+31(0)654 393 600
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