'Wreck on a Cornish Beach'
'Wreck on a Cornish Beach'
'Wreck on a Cornish Beach'
'Wreck on a Cornish Beach'

JOHN BRETT ARA (1831-1902)

'Wreck on a Cornish Beach'

1988 United Kingdom

Offered by Mitchell Studio Gallery

£2,250 gbp
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Listing Information
Oil painting on Oak in a frame style used by Brett on many of his paintings.
Many years ago Christies attributed this painting to John Brett.
What looks like 88 is on the rear of the wreck.
Price includes export delivery and transit insurance.
Oil painting on oak in fine condition in an original untouched frame.
Fine Art trade
1830 - 1902
John Brett (1831-1902) was a Pre-Raphaelite painter, mainly notable for his highly detailed landscapes. Brett was born near Reigate on 8 December 1831, the son of an army vet. In 1851 he began lessons in art with James Duffield Harding, a landscape painter. He also studied with Richard Redgrave. In 1853 he entered the Royal Academy schools, but was more interested in the ideas of John Ruskin and William Holman Hunt, who he met through his friend the poet Coventry Patmore. Inspired by Hunt's ideal of scientific landscape painting Brett visited Switzerland, where he worked on topographical landscapes and came under the further influence of John William Inchbold.
In 1858 Brett exhibited The Stonebreaker, the painting that made his reputation. This depicted a youth smashing stones to create a road-surface, sitting in a brightly lit and brilliantly detailed landscape. The precision of the geological and botanical detail greatly impressed Ruskin, who praised the painting highly, predicting that Brett would be able to paint a masterpiece if he were to visit the Val d'Aosta in Italy. Partly funded by Ruskin, Brett made the trip to paint the location, exhibiting it in 1859, again to high praise from Ruskin, who bought the painting. Other critics were less effusive, one describing it as a "gravestone for post-Ruskinism".
Brett continued to paint carefully detailed landscape views, staying in Italy on many occasions in the 1860s. He was always keen to stress the scientific precision of his rendering of nature, but often infused it with moral and religious significance, as recommended by Ruskin. In his later years he painted more coastal subjects and seascapes, subjects he came to know well due to his ownership of a 210 ton schooner, Viking (which had a crew of twelve), on which he travelled the Mediterranean.[2]
During summers in the 1880's Brett rented the castle at Newport, Pembrokeshire to use as a base for his large family while he painted, sketched and photographed the south and west costs of Wales. An exhibition in 2001 at the National Museum of Wales, Cardiff, entitled John Brett - a Pre-Raphaelite on the Shores of Wales brought together many of the major works from this period of his career.
Brett was also a keen astronomer, having studied the subject from childhood. He was elected a Fellow of the Royal Astronomical Society in 1871.

Height 7.50 inch (19.05 cm)
Width 9.50 inch (24.13 cm)
External Height 13.00 inch (33.02 cm)
External Width 15.00 inch (38.10 cm)
Stock Code
OLG M P3298
Oil painting on Oak panel.
Unsigned with a faint date 88.
Mitchell Studio Gallery

Mitchell Studio Gallery
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