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The Sharples family created the finest pastel art in America after John Singleton Copley and before the renaissance of the medium in the later 19th century. James Sharples, born in Lancashire, England in 1752, was a pupil of George Romney, the English portraitist. He worked in Bath (1781), Bristol (1783 and 1785), Liverpool and London before traveling to America about 1793 with his third wife, the former Ellen Wallace (1769-1849), who had been his pupil, and three children, Felix (circa 1786-1825), James, Jr. (circa 1788-1839) and Rolinda (circa 1793-1838).
The family spent four years in Philadelphia and four in New York City. They returned to Bath in 1801, but in 1806, Felix and James, Jr. came back to America. Three years later, the rest of the family followed. When James, the father, died, his wife, his daughter and James, Jr. returned to Bristol, where they finally settled.
The Sharpleses were specialists in pastel portraits of cabinet size, smaller than life, but larger than miniature. They were usually on thick gray paper, the wooly texture of which gives a soft, grainy appearance to the very sensitive draftsmanship. The likenesses are sometimes in the common three-quarter view, but many are in profile. The highlight of the Sharpleses' work was the often-replicated likeness of George Washington, done about 1796 or 1797.
The various members of the family worked so closely together that it is impossible to distinguish among their hands. Fine examples are usually assigned to James, Sr., but his wife, Ellen Sharples, was equally talented and, though she seems often to have copied her husband's pictures, she undoubtedly created original examples as well.
There is a large collection of their work in Bristol, England. James Sharples died in 1811.

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JAMES I. SHARPLES (1751-1811)
James Sharples c1792 - Set of 3 Pastel Portraits
Three oval pastel portraits of the Knight family of Folkestone, the mother was wife of William Knight and her son Thomas Edward and her daughter Ma...
Cynthia Walmsley