Jean-Henri Riesener

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Jean-Henri Riesener (GermanJohann Heinrich Riesener) (4 July 1734 – 6 January 1806) was the French royal ébéniste, working in Paris, whose work exemplified the early neoclassical "Louis XVI style".


Riesener was born in GladbeckWestphaliaGermany, moved to Paris where he apprenticed soon after 1754 with Jean-François Oeben, whose widow he married.He was received master ébéniste in January 1768. The following year he began supplying furniture for the Crown and in July 1774 formally became ébéniste ordinaire du roi, "the greatest Parisian ébéniste of the Louis XVI period."[4] Riesener was responsible for some of the richest examples of furniture in the Louis XVI style, as the French court embarked on furnishing commissions on a luxurious scale that had not been seen since the time of Louis XIV: between 1774 and 1784 he received on average commissions amounting to 100,000 livres per annum.


He and David Roentgen were Marie-Antoinette's favourite cabinet-makers. Besides commissions directly to the Garde-Meuble he delivered case furniture for the comte and comtesse de Provence, the comte d'Artois,Mesdames the king's aunts, and the ducs de Penthièvrede la RochefoucauldChoiseul-PraslinBiron, as well as rich fermiers-générals.


He used floral and figural marquetry techniques to a great extent, contrasting with refined parquetry and trelliswork grounds, in addition to gilt-bronze mounts. His carcases were more finely finished than those of many of his Parisian contemporaries, and he attempted to disguise the screwheads that attached his mounts with overhanging details of foliage. It seems likely that as a royal craftsman he was able to circumvent guild restrictions and produce his own ormolu|gilt-bronze mounts: Riesener's princely portrait by Antoine Vestier shows the cabinet-maker at one of his richly-mounted tables, with drawings for gilt-bronze mounts. Many of his pieces featured complicated mechanisms that raised or lowered table-tops or angled reading stands. Through his wife he was related to other master craftsmen in Paris, notably the ébénistes Roger Vandercruse Lacroix and Martin Carlin.





 

Bureau du Roi, delivered to Louis XV



He completed the Bureau du Roi, which had been started in 1760, under his predecessor Oeben; his name alone appears in the marquetry.The floral designs were derived from the Livre de Principes de Fleurs, an undated compilation of engravings of flowers by Juste Chevillet after drawings by Louis Tessier.


In 1774 he delivered the commode for the bedroom of Louis XVI at Versailles, now in the Royal Collection at Windsor Castle. An even richer commode replaced it the following year (now at the Musée Condé, Chantilly).


The drop-front secretary (sécretaire à abattant) initially designed by Oeben, or by Riesener in Oeben's workshop, presents a vertical rectangle of superposed panels and a frieze, on short legs. The upper panel drops down to provide a writing surface, revealing a fitted interior.


From 1784, with France near bankruptcy, the pace of court commissions dropped radically; Thierry de Ville d'Avray succeeded Pierre-Elizabeth de Fontanieu at the Garde-Meuble le la Couronne and turned for necessary economy to less expensive suppliers, such as Guillaume Beneman; Riesener's last pieces for the court featured sober but richly-figured West Indian mahogany veneers and more restrained use of gilt-bronze mounts. QueenMarie Antoinette continued to favour Riesener through the 1780s


With the French Revolution, Riesener was retained by the Directory, and sent in 1794 to Versailles to remove the "insignia of feudality" from furniture he had recently made: royal cyphers and fleurs-de-lys were replaced with innocuous panels. During the French revolutionary sales he ruined himself by buying back furniture that was being sold at derisory prices. When he attempted to resell his accumulated stock, tastes had changed and the old clientele dispersed or dead. He retired in 1801 and died in comparative poverty in Paris.

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JEAN-HENRI RIESENER (1735-1806)
A Fine Louis XVI Style Gilt-Bronze Mounted Mahogany Commode
A Fine Louis XVI Style Gilt-Bronze Mounted Mahogany Commode, With A Blue Turquin Marble Top, In The Manner of Jean-Henri Riesener. This fine, gi...
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Adrian Alan
JEAN-HENRI RIESENER (1735-1806)
A Fine Louis XVI Style Gilt-Bronze Mounted Marquetry Commode
A Fine Louis XVI Style Gilt-Bronze Mounted Marquetry Commode After a Model by Jean Henri Riesener. The central door with a still life panel of ...
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Adrian Alan
JEAN-HENRI RIESENER (1735-1806)
A Fine Louis XVI Style Gilt-Bronze Mounted Marquetry Commode
A Fine Louis XVI Style Gilt-Bronze Mounted Marquetry Commode After a Model by Jean Henri Riesener. The bronze mounts variously stamped to the re...
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Adrian Alan
JEAN-HENRI RIESENER (1735-1806)
A Louis XVI Style Gilt-Bronze Mounted Marquetry Inlaid Writing Table
A Louis XVI Style Gilt-Bronze Mounted Mahogany and Marquetry Inlaid Writing Table After The Model by Jean-Henri Riesener. This finely inlaid wri...
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Adrian Alan
JEAN-HENRI RIESENER (1735-1806)
An Empire style mahogany side table with marble top
The rectangular veined red marble top above a wooden drawer, decorated all around with ormolu floral festoons and cherubs in the centre, on taperin...
£9500
Mayfair Gallery Ltd.
JEAN-HENRI RIESENER (1735-1806)
Exceptionally Rare Secrétaire, After the J.H. Riesener example in The Wallace C...
Of upright rectangular form with canted corners; veneered in thuya-wood, and banded in purple-wood, exuberantly dressed with gilt bronze mounts of ...
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Butchoff