640 results for "ethnographic"

Poster of Ethnographic Museum in Warsaw is an original offset print realized in 1975 in Warsaw for the exhibition "Suzuka Ludowa W 30-lecui PRL". Signed on the plate on the lower ri...

Wonderful ethnographical print. Copper-plate engraving Published circa 1810 Unframed.  

Wonderful ethnographical print. Showing a warrior from New Caledonia Copper-plate engraving. Artist unknown. Published by Mackenzie And Dent. 1...

Japanese Ethnographic photographs is a set of seven original vintage Albumen prints on single cardboard: 26 x 34 cm. Three images on the front and four on the rear 9 x 13.5 cm They...

Antique map titled 'Ethnographic map of the world showing the present distribution of the leading races of man'. Original antique ethnographic map...

Indian Ethnographic Tribal silver Amulet necklace Rajasthan Rare styled necklace made with a selection of shield type amulets the end with silver coins Period early 20th century Con...

Wonderful set of ethnographical prints Lovely pastel colors. Lithographs with original hand colur Published by Smith, Elder And Co. 1838 Unframed.

Ancient Japanese ethnographic photographs, Tokyo, is a set of four original vintage albumen prints on single cardboard: 26 x 34 cm. They were realized between the 1880s and the 1890...

Wonderful print of indigenous Siberians Copper-plate engraving Published C.1780 Unframed.     

The double neck terracotta vessel with handle is most probably from the Teke people and has a wonderful use patina. The two lidded wicker Baskets are from the West Coast, most probab...

Indian Hindu Silver Amulet necklace Heavy bullet shaped Amulet necklace with pointed ends with floral and geometric design High grade silver Pendant Length 9 cm weight 90 gra...

The images are original hand-colored engravings from William Alexander's "Picturesque Representations of the Dress and Manners of the Russians," published in 1814 by John Murray. Thi...

Wonderful ethnographical print. A copper-plate engraving after Lesieur Published by Sherwood, Neely & Jones. Dated 1809 Unframed.  

Ancient Japanese ethnographic photographs from Nagasaki is a set of 8 original vintage albumen prints on single cardboard: 26 x 34 cm. Four images in the front and four on the rear ...

Crime and Punishment in Canton, ethnographic photographs, is a set of 6 original vintage albumen prints on single cardboard: 26 x 34 cm. They wer...

Ancient Japanese ethnographic photographs from Osaka is a set of five original vintage Albumen prints on single cardboard: 26 x 34 cm. Image in the front 20 x 26 cm and four on the ...

Nice Vintage central Asian silver gilt coral and gemstone beaded necklace A necklace of silver beads with high quality antique red coral amethyst and gemstones Period: early /...

The print, titled "Various Instruments used by the Natives of Otaheite," was created by the artist John Webber, who is well-known for his work as the official artist on Captain James...

Views of Colombo photograph is a set of 3 original vintage albumen prints on single cardboard: 25 x 34 cm. Size of photos: 10x14, 10x9.5 and on the rear 21.5 x 27.5 Good conditions...

Original Vintage Poster for a Sahara Exhibition created by Raymond Gid in 1934. Artist: Raymond Gid (1905-2000) Title: Exposition du Sahara – Musée National d’Histoire Naturelle - M...

This antique print titled "Naturels de l'Ile Rotouma" depicts the indigenous people of the Island of Rotuma. The print offers a glimpse into the appearance and attire of the island's...

Edith Kramer (1916 - 2014) Still Life with Mask, n.d. Oil on canvas 26 x 20 inches Signed and titled on the stretcher Provenance: Estate of the artist Kramer was born in Vienna, Austria-Hungary in 1916. At age 13 Kramer began art lessons with Friedl Dicker. Dicker was graduate of the Bauhaus in Weimar, Germany and was an artist and art teacher of note. Kramer studied drawing, sculpture and painting, and was influenced by the method for teaching art developed by Bauhaus artist Johannes Itten. It was in 1934 after Kramer graduated from Realgymnasium that she, then 18, followed Dicker to Prague to continue to study under her. During this time in Prague, Kramer witnessed the therapeutic impact of art when she assisted Dicker in teaching art to the children of political refugees. With the threat of Nazi invasion looming, Kramer took refuge in America in 1938. In New York City, she worked for three years teaching sculpture at a progressive school called the Little Red School House. During World War II Kramer worked as a machinist at a tool and die shop in the Soho district of New York City. She stayed after her shift to draw the other workers in their industrial setting. These works were rendered in the social realist style. In 1947 Kramer visited some of the earliest known artwork, in the caves at Lascaux. Kramer spoke of these cave paintings as an example of the universal language of art. At the age of 33 she returned to New York City, with hopes of making a living as an artist. Still in her 33rd year, Kramer was offered a job at Wiltwyck School for Boys, a school and residential treatment facility for children with behavioral and emotional needs. This job was arranged for her by psychoanalyst and board member at Wiltwyck, Dr. Viola Bernard. Dr. Bernard gave Kramer the title, "Art Therapist," noting that few teachers were willing to work with such challenging students. It was here that Kramer worked with disturbed boys, ages 8 through 13, for the following seven years. Raised in a family which was interested in psychoanalytic theory, Kramer herself became a follower of Sigmund Freud. Kramer especially believed in the concept of sublimation. Freudian theory describes sublimation as a process in which primitive urges coming from the id are transformed into socially productive activities that lead to gratification of the original urge. Kramer's training was in art, art education and psychoanalytically informed psychotherapy. Kramer believed sublimation to be one of the most vital goals of art therapy...

Cardboard cover titled 'Ethnographica in het Museum van het Bataviaasch Genootschap' including 12 plates of ethnographic items of Batavia including: 1) Carved door, from Talaga, Cheribon. 2) Carved door, from the Dewa-temple. 3) Achenese weapons. 4) Pouches for Sirih-Ingredients. 5) Bronze objects. 6) Bronze objects. 7) Large broad axes, made of bronze. 8) Details of the ornamentation of the axes. 9) Details of the ornamentation on the back of the axes. 10) Golden bowl...

John Galliano bias cut statement gown, from his 2002 Fall collection, is featured in a damask multi-color print fabric with a mermaid silhouette. Gown h...

Weltevreden, Kebon Sirih, & Vlucht voor de bui (Fleeing the rain) Executed between February 20 and March 2, 1918 Double sided drawing in graphite pencil on paper Images: c. 33 x 5...

As the 16th century precursors to museums, ‘Wunderkammer’ or ‘cabinets of curiosity’ collected and categorized objects of interest to a specific subject be it geology, ethnography, anthropology, etc for preservation and categorization. In the original terminology ‘cabinet’ did not mean a simple piece of furniture but designated an entire room, which is why these cabinets were originally maintained by the mercantile or aristocratic classes. In modern architecture, our specific interest, the ‘Wunderkammer’ brings to mind European post-war housing projects such as Le Corbusier’s Unite d’Habitation projects or the housing units at Pessac with individuals inhabiting individual apartments made specific by containing the personal artifacts of those occupying them and amassed as a single building. This miniature...

Senufo ottoman, unique signed stool, Arno Declercq Iroko wood and sheepskin by Carine Boxy Measures: L 45 cm x W 45 cm x H 40 cm L 17.7” x W 17.7” x H 15.7” Material: Iroko wood ...

Contemporary ottoman in African walnut and sheep wool - Senufo by Arno Declercq Dimensions: diameter 45 x height 40 cm Material: African walnut and sheep wool. (ask for different...

LLAMAS is a table lamp, composed of a lost-wax cast bronze body, and a handblown glass lampshade. It is a reinterpretation of an archetype of llama sculptures essential within Ecuado...

Hallway table, signed by Arno Declercq Measures: 90 cm L x 25 cm W x 90 cm H 35.5 ” L x 9.8 “ W x 35.5 “H Material: Iroko wood Signed by Arno Declercq Iroko wood and oak grey s...

Zoumey round table by Arno Declercq Dimensions: diameter 160 x height 75 cm Materials: African walnut A forest of table legs made out of 16 pie...

ANTHROPOMORPHIC SCULPTURE CARVED IN STONE OF THE RECUAY CULTURE PERU 400BC-400AC Recuay is an archaeological culture of Ancient Peru that developed in the Sierra of the current Peruvian department of Áncash between 200 AD. C. until 600 d. C. It corresponds to the stage called Regional Developments, it has also been called the Huaylas or Santa culture. Like the other Early Intermediate cultures, little is known about this culture. The most accepted position is that it was an extension of the Chavin culture, after the influence of the "White on Red" style in the region. Regarding the political aspect of the recuay, there is a hypothesis that questions their autonomy and maintains that Recuay would be part of one of the many political units that made up the Moche state. The recuay style, characterized by its ceramics and stone sculpture, was initially described by Eduard Seler in 1893, based on ceramic specimens brought to the Ethnographic Museum in Berlin by Mariano M. Macedo. Seler named this style of pottery Recuay, based on the report that these pieces had been found in the town of Recuay. Later studies showed that this characteristic pottery was not originally from Recuay but from Copa, near Carhuaz, for which reason the name change to that of this town was proposed. Eventually the name of Huaylas was used for this culture. In 1919 Julio C. Tello explored the area and recovered lithic sculptures and Recuay-type ceramics. In the 1960s Rafael Larco Hoyle proposed changing the names of Recuay and Copa to Santa, arguing that the Recuay style had originated in the coastal regions of the Santa Valley. However, the name Recuay has persisted. Its chronology is also highly debatable. The time of its origin between 0 and 200 AD is discussed. C. and its end or collapse is commonly set to 600 d. C. probably caused by the invasion of the Huari conquerors. It encompassed almost the entire Callejón de Huaylas, a narrow valley fed by the Santa River and enclosed between two mountain ranges, the Cordillera Blanca to the west and the Cordillera Negra to the east. Its influence extended to the east to the Marañón river basin and to the west to the upper parts of the Santa, Casma and Huarmey valleys. To the north it reached the town of Pashash, in the province of Pallasca. The Copa area, Marca district, Recuay province, Ancash department seems to have been the center or main nucleus of cohesion of this culture. The name of the culture would then be justified, derived from the province of the same name. Other important settlements were those of Huilcahuaín (near the current city of Ancash), Cátac, Araucay, Tambo, Jancu, Upayacu and Pashash (near the current city of Cabana). Its main form of expression of art was through stone work (carving and masonry), inherited from its predecessor, the Chavín culture. In addition, they made sculptures in lumps that represent warriors with shields or trophy heads, with which they decorated their complex architectural constructions. They also made white clay pottery...

Disk tray large black by Arno Declercq. Dimensions: D43 x W43 x H9 cm. Meterials: burned and waxed Oak. Signed by Arno Declercq. Arno Declercq Belgia...

Kagan's design for Barlow Tyrie is a perfect example of his design aesthetic. The undulating, organic form that references a nautilus envelopes the sitter and provides a small table surface. The nesting ottoman...

Premises in North Bali, 1906 Signed with initials and titled bottom left and fully signed, bottom right Pencil and ink on paper, 10.5 x 18 cm Black ebonized frame with white mount ...

Sculptural stool - Arno Declercq Measures: Small: 63 cm L x 38 cm W x 69 cm H 24,8” L x 15” W x 27" H Medium: 104 cm L x 38 cm W x 69 cm H 41” L x 15” W x 27" H Large: 1...

Walking bowl in Iroko wood, Arno Declercq Measures: 34 cm L x 34 cm W x 23 cm H 13.4” L x 13.4“ W x 9“ H Material: Iroko wood Signed by Arno Declercq Arno Declercq Bel...

A brass tag was nailed to the back. This interesting and slightly shocking means of identification, tells us more about the artistic disdain and ethnographic interest of the Europea...

Oil measures 50x61 cm. Frameless. Cleaning and removing old varnish is recommended. A painter born in Baeza but living in Valencia, José Cózar joins his academic training with an i...

Wood Carved Stirrup Vessel, or Pipe, Massim people, Trobriand Islands, Papua New Guinea. Hand-carved wood in the form of a large animal with a top ci...

Abstract surrealist lithograph of a dog wounded by an arrow. This work is from his 90th anniversary suite, the last prints Tamayo completed, before passing on. Signed and editioned a...

Bold periwinkle blue, black and white rayon 1940's hostess gown printed with Hawaiian ethnographic motifs. Mandarin collar with interesting Asian influen...

LLAMA is a table lamp, composed of a lost-wax cast bronze body, and a handblown glass lampshade. It is a reinterpretation of an archetype of llama sculptures essential within Ecuador...

Good string of early 20th century shell money or currency from Africa. The shells have a warm patina and are attractively presented on a custom iron base. ...

Oil measures 60x73 cm. Frameless. Cleaning and removing old varnish is recommended. A painter born in Baeza but living in Valencia, José Cózar joins his academic training with an i...

Antique print titled 'Etnografia. Razza Bianca Caratteri fisionomici degli Abissini. Amharese / Tigreano / Gondarese / Scioano'. Original old print of natives from Ethiopia including...

Hand-watercolored Etching, 1819, Image Dim: cm 28 x 20, Dim: cm 29x41. Etching and Watercolor technique. In Good condition. Signed and dated on plate lower margin "Pinelli dis. e ...

Rare large early Northwest Coast Salish hard burden basket dating from the mid to late 1800's. The basket is finely woven from split cedar bark and root...

Hand-watercolored Etching, 1819, Image Dim: cm 28 x 20, Dim: cm 29x40. Etching and Watercolor technique. In Good condition. Signed and dated on plate lower margin "Pinelli dis. e ...

Hand-watercolored Etching, 1819, Image Dim: cm 28 x 20, Dim: cm 28x39. Etching and Watercolor technique. In Good condition. Signed and dated on plate lower margin "Pinelli dis. e ...

In 1895, N. Harazine's poster invited Parisians to the Champs de Mars for the Exposition Russe Hippique & Ethnographique. This vintage masterpiece transports us to a bygone era when ...

Pearl candle holder by Ana Botezatu. Dimensions: D 26.5 x W 21 x H 22 cm. Materials: glazed earthenware. Ana Botezatu (b. 1982, Bra?ov (former Kronstadt), Romania) lives and wor...

Saint Sebastian sculpture by Ana Botezatu Dimensions: D22 x W 17 x H 24 cm Materials: Glazed Earthenware Ana Botezatu (b. 1982, Bra?ov (former Kronstadt), Romania) lives and works in Berlin. She works with ceramics, drawing, book illustration, set design, puppet theatre...

Under sheets sculpture by Ana Botezatu Dimensions: D17 x W 14 x H 21 cm. Materials: glazed earthenware. Ana Botezatu (b. 1982, Bra?ov (former Kronstadt), Romania) lives and works in Berlin. She works with ceramics, drawing, book illustration, set design, puppet theatre...

Roman Costume is a beautiful etching and watercolor realized by Bartolomeo Pinelli in 1831. In Good condition, worn paper on the marginal line and some little stains on the back. ...

Hand-watercolored Etching, 1819, Image Dim: cm 28 x 20, Dim: cm 29x40. Etching and Watercolor tecnique. In Good condition, worn paper on the marginal line, left. Signed and dated ...

Pianta Di Roma e Dell'Esposizione is an original print realized in 1911 on a drawing by Ludovico Beranger. Black and white etching. The artwork was realized ...

Under Sheets sculpture by Ana Botezatu Dimensions: D30.5 x W 23 x H 7 cm Materials: Glazed Earthenware Ana Botezatu (b. 1982, Bra?ov (former Kronstadt), Romania) lives and works...

Leon The Ghost sculpture by Ana Botezatu Dimensions: D17 x W 14 x H 21 cm Materials: glazed earthenware Ana Botezatu (b. 1982, Bra?ov (former Kronstadt), Romania) lives and works in Berlin. She works with ceramics, drawing, book illustration, set design, puppet theatre...

Dancing stick candle holder sculpture by Ana Botezatu. Dimensions: D21 x W 18 x H 22 cm. Materials: glazed earthenware. Ana Botezatu (b. 1982, Bra?ov (former Kronstadt), Romania...